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Henry Fuseli
1741–1825
(b Zurich, 6 Feb. 1741; d Putney, Surrey [now in London], 16 Apr. 1825). Swiss-born painter, draughtsman, and writer on art, active mainly in England, where he was one of the outstanding figures of the Romantic movement.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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The Dream of Queen Katherine Henry Fuseli (1741–1825)The Dream of Queen Katherine Victoria and Albert Museum
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The Infant Shakespeare between Tragedy and Comedy 1805 Henry Fuseli (1741–1825)The Infant Shakespeare between Tragedy and Comedy 1805 King's College London
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The Dream of Queen Katherine Henry Fuseli (1741–1825)The Dream of Queen Katherine Victoria and Albert Museum
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'Macbeth', Act I, Scene 3, the Weird Sisters c.1783 Henry Fuseli (1741–1825)'Macbeth', Act I, Scene 3, the Weird Sisters c.1783 Royal Shakespeare Theatre
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'Henry V', Act II, Scene 2, Henry V Discovering the Conspirators 1780s Henry Fuseli (1741–1825)'Henry V', Act II, Scene 2, Henry V Discovering the Conspirators 1780s Royal Shakespeare Theatre
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The Dream of Queen Katherine Henry Fuseli (1741–1825)The Dream of Queen Katherine Victoria and Albert Museum
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The Fire King c.1801–1810 Henry Fuseli (1741–1825)The Fire King c.1801–1810 Victoria and Albert Museum
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The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy... c.1780 Henry Fuseli (1741–1825)The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy Land) c.1780 Sir John Soane’s Museum
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Thor Battering the Midgard Serpent 1790 Henry Fuseli (1741–1825)Thor Battering the Midgard Serpent 1790 Royal Academy of Arts
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Macbeth, Banquo and the Witches 1793–1794 Henry Fuseli (1741–1825)Macbeth, Banquo and the Witches 1793–1794 National Trust, Petworth House
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Titania's Dream possibly 1822 Henry Fuseli (1741–1825)Titania's Dream possibly 1822 The Courtauld, London (Samuel Courtauld Trust)
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Lavinia de Irujo in Profile, Facing Right 1814 Henry Fuseli (1741–1825)Lavinia de Irujo in Profile, Facing Right 1814 The Courtauld, London (Samuel Courtauld Trust)
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The Return of Milton's Wife 1798–1799 Henry Fuseli (1741–1825)The Return of Milton's Wife 1798–1799 Walker Art Gallery
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Lady Macbeth Seizing the Daggers ?exhibited 1812 Henry Fuseli (1741–1825)Lady Macbeth Seizing the Daggers ?exhibited 1812 Tate Britain
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Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione (William Shakespeare's 'The Winter's Tale') 1785/1786 Henry Fuseli (1741–1825)Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione (William Shakespeare's 'The Winter's Tale') 1785/1786 National Trust, Hinton Ampner
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Muscles and bones of the leg; thoughts on woman. 1800–1825 Henry Fuseli (1741–1825)Muscles and bones of the leg; thoughts on woman. 1800–1825 Wellcome Collection
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The Shepherd's Dream, from 'Paradise Lost' 1793 Henry Fuseli (1741–1825)The Shepherd's Dream, from 'Paradise Lost' 1793 Tate
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Titania and Bottom c.1790 Henry Fuseli (1741–1825)Titania and Bottom c.1790 Tate
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Tekemessa and Eurysakes 1800–1810 Henry Fuseli (1741–1825)Tekemessa and Eurysakes 1800–1810 Yale Center for British Art
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Dido 1781 Henry Fuseli (1741–1825)Dido 1781 Yale Center for British Art
