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This portrait is one of three known self-portraits painted by Van Dyck when he was in England, and it probably dates from the last years of his life. The artist shows himself fashionably dressed but apparently in the act of painting, the line of his right shoulder and sleeve suggesting his hand raised in the process of applying paint to a canvas just out of sight. The broad handling of the paint in the costume, compared with the face, may indicate that this area of the painting is unfinished, or it may be that this is simply a more experimental work than his formal court portraits.
oil on canvas
H 56 x W 46 cm
purchased with support from the National Lottery Heritage Fund, the Art Fund in honour of David Verey CBE (Chairman of the Art Fund 2004–2014), the Portrait Fund, The Monument Trust, the Garfield Weston Foundation, the Aldama Foundation, the Deborah Loeb Brice Foundation, Sir Harry Djanogly CBE, Mr and Mrs Michael Farmer, Matthew Freud, Catherine Green, Dr Bendor Grosvenor, Alexander Kahane, the Catherine Lewis Foundation, the Material World Foundation, The Sir Denis Mahon Charitable Trust, Cynthia Lovelace Sears, two major supporters who wish to remain anonymous, and many contributions from the public following a joint appeal by the National Portrait Gallery and the Art Fund, 2014