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John Ruskin

1819–1900

(b London, 8 Feb. 1819; d Brantwood, nr. Coniston, Cumberland [now Cumbria], 20 Jan. 1900). English writer, artist, social reformer, and philanthropist. He was the most important English art critic of the 19th century, with a remarkable hold over public opinion, and also a talented and prolific draughtsman and watercolourist, mainly of landscape and architectural subjects.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 90 artworks

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Glen Tilt 1857 John Ruskin (1819–1900)

Glen Tilt 1857 Brantwood
Study of Rocks and Ferns, Crossmount, Perthshire 1847 John Ruskin (1819–1900)

Study of Rocks and Ferns, Crossmount, Perthshire 1847 Abbot Hall
Chamouni, Mont Blanc De St Gervais 1849 John Ruskin (1819–1900)

Chamouni, Mont Blanc De St Gervais 1849 Abbot Hall
Traceries and Mouldings from Rouen and Salisbury 1849 John Ruskin (1819–1900)

Traceries and Mouldings from Rouen and Salisbury 1849 Sheffield Museums
Two Detached Rays of a Peacock's Breast Feather, Enlarged Three Times 1873 John Ruskin (1819–1900)

Two Detached Rays of a Peacock's Breast Feather, Enlarged Three Times 1873 Sheffield Museums
Study of a Peacock Feather 1873 John Ruskin (1819–1900)

Study of a Peacock Feather 1873 Sheffield Museums: Millennium Gallery
Sketches towards 'The Acanthus of Torcello', 'The Stones of Venice', Volume II and Other Studies c.1849 John Ruskin (1819–1900)

Sketches towards 'The Acanthus of Torcello', 'The Stones of Venice', Volume II and Other Studies c.1849 Sheffield Museums: Millennium Gallery
View of Calais from the Harbour John Ruskin (1819–1900)

View of Calais from the Harbour The Courtauld, London (Samuel Courtauld Trust)
Leafage of the Venetian Capitals c.1849 John Ruskin (1819–1900)

Leafage of the Venetian Capitals c.1849 The Courtauld, London (Samuel Courtauld Trust)
Lake Lugano John Ruskin (1819–1900)

Lake Lugano The Courtauld, London (Samuel Courtauld Trust)
'The Vine Free and in Service', Study towards 'The Stones of Venice', Volume II 1851–1853 John Ruskin (1819–1900)

'The Vine Free and in Service', Study towards 'The Stones of Venice', Volume II 1851–1853 Sheffield Museums
Fragments from Abbeville, Lucca, Venice and Pisa 1849 John Ruskin (1819–1900)

Fragments from Abbeville, Lucca, Venice and Pisa 1849 Sheffield Museums
Intersectional Mouldings (study towards 'The Seven Lamps of Architecture') 1849 John Ruskin (1819–1900)

Intersectional Mouldings (study towards 'The Seven Lamps of Architecture') 1849 Sheffield Museums: Millennium Gallery
Lyskamm, Castor and Pollux 1849 John Ruskin (1819–1900)

Lyskamm, Castor and Pollux 1849 The Alpine Club Collection
Study of Willow Leaves c.1857 John Ruskin (1819–1900)

Study of Willow Leaves c.1857 Manchester Art Gallery
Glacier des Bossons 1874 John Ruskin (1819–1900)

Glacier des Bossons 1874 The Alpine Club Collection
Bellinzona: View 1858 John Ruskin (1819–1900)

Bellinzona: View 1858 Abbot Hall
Arricia, near Albano 1841 John Ruskin (1819–1900)

Arricia, near Albano 1841 Abbot Hall
Coastal Scene with a Fortress, Naples, Italy 1841 John Ruskin (1819–1900)

Coastal Scene with a Fortress, Naples, Italy 1841 Sheffield Museums
Saint George and the Dragon 1872 John Ruskin (1819–1900)

Saint George and the Dragon 1872 Sheffield Museums: Millennium Gallery