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Channel Islands
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England
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Animals and plants
- Animals, domestic
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Arts and entertainment
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Home and family
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Ideas and emotions
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- Time
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Literature and fantasy
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Natural world
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- Night sky
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People
- Children
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- LGBTQ+ subjects
- Men
- Nudes and models
- Self portraits
- Women
Power and politics
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Religion and belief
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Science and knowledge
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Sport and leisure
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Towns and buildings
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Transport and industry
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War and conflict
- Aircraft (war and conflict)
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- Warships
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Work and business
- Communications
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- Emergency services
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- Finance
- Healthcare
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- Office work
- Shops and markets
- Trade and commerce

Abstract Expressionism
Abstraction
Aestheticism
Art Deco
Art Nouveau
Assemblage
Barbizon School
Baroque
British Impressionism
Caravaggism
Caricature
Carving
Celtic Revival
Constructivism
Cubism
Dada
Die Brücke
Early Renaissance
Expressionism
Fauvism
French Impressionism
French Realism
Futurism
Glasgow Boys
Glasgow Style
Grisaille
High Renaissance
Impressionism
Kinetic Art
Kitchen Sink
Land Art
Mannerism
Minimalism
Modernism
Neoclassicism
Neo‐Impressionism
Northern Renaissance
Op Art
Orientalism
Photorealism
Pointillism
Pop Art
Post‐Impressionism
Pre‐Raphaelitism
Renaissance
Rococo
Romanticism
Scottish Colourists
Social realism
Soft sculpture
Suprematism
Surrealism
Symbolism
Vorticism
Watercolour

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Showing 28 artworks

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Mrs George Cruikshank (1807–1890) 1850s George Cruikshank (1792–1878)

Mrs George Cruikshank (1807–1890) 1850s Victoria and Albert Museum
Tam o' Shanter 1854 George Cruikshank (1792–1878)

Tam o' Shanter 1854 Victoria and Albert Museum
Cinderella 1854 George Cruikshank (1792–1878)

Cinderella 1854 Victoria and Albert Museum
Colney Hatch, Hertfordshire 1828 George Cruikshank (1792–1878)

Colney Hatch, Hertfordshire 1828 Victoria and Albert Museum
Colney Hatch, Hertfordshire 1828 George Cruikshank (1792–1878)

Colney Hatch, Hertfordshire 1828 Victoria and Albert Museum
Hades 1850s George Cruikshank (1792–1878)

Hades 1850s Victoria and Albert Museum
Venus Rising from the Froth of the Sea George Cruikshank (1792–1878)

Venus Rising from the Froth of the Sea Victoria and Albert Museum
Sketch from Flemish Prints and Study for a Male Costume 1828 George Cruikshank (1792–1878)

Sketch from Flemish Prints and Study for a Male Costume 1828 Harris Museum & Art Gallery
Herne's Oak from ‘The Merry Wives of Windsor’, Act V, Scene V c.1857 George Cruikshank (1792–1878)

Herne's Oak from ‘The Merry Wives of Windsor’, Act V, Scene V c.1857 Yale Center for British Art
Two Men Bowing and Two Men Shaking Hands George Cruikshank (1792–1878)

Two Men Bowing and Two Men Shaking Hands The Courtauld, London (Samuel Courtauld Trust)
Going to the Derby 1870 George Cruikshank (1792–1878)

Going to the Derby 1870 The Courtauld, London (Samuel Courtauld Trust)
Interior of a Hospital for Horses 1835 George Cruikshank (1792–1878)

Interior of a Hospital for Horses 1835 Wellcome Collection
A Study 1828 George Cruikshank (1792–1878)

A Study 1828 Harris Museum & Art Gallery
A Study 1828 George Cruikshank (1792–1878)

A Study 1828 Harris Museum & Art Gallery
Letter to the Artist with Three Sketches 1828 George Cruikshank (1792–1878)

Letter to the Artist with Three Sketches 1828 Harris Museum & Art Gallery
The Library Table George Cruikshank (1792–1878)

The Library Table Portsmouth Museums and Visitor Services
Drawing for an Illustrated Paper 1832 George Cruikshank (1792–1878)

Drawing for an Illustrated Paper 1832 The Courtauld, London (Samuel Courtauld Trust)
John Bright and W. A. Mackinnon in the Debates on Franchise Reform 1860 George Cruikshank (1792–1878)

John Bright and W. A. Mackinnon in the Debates on Franchise Reform 1860 Parliamentary Art Collection
Letter to the Artist with Three Sketches 1828 George Cruikshank (1792–1878)

Letter to the Artist with Three Sketches 1828 Harris Museum & Art Gallery
The Rival Touts (John Bull in a Fix) George Cruikshank (1792–1878)

The Rival Touts (John Bull in a Fix)

George Cruikshank

1792–1878