How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
Crompton appears head and shoulders, facing right, with head resting on his right hand. Wearing a dark open jacket and white shirt, against a dark background. This portrait formed part of the Bennet Woodcroft Bequest, which was among the founding collections of the Science Museum. Woodcroft had developed a 'National Gallery of Portraits of Inventors, Discoverers and Introducers of the Useful Arts’ combining gifts, loans and purchases of portraits, while acting as the first curator of the Patent Museum. This is a copy in oil after the original by Charles Allingham then in the possession of Mrs John Kennedy, Manchester, and now in the Hall i' th' Wood Museum, Bolton. On 11 April 1860, a photographer employed by Woodcroft to photograph the original at the Kennedy residence reported that he had twice tried and failed to capture the painting because the canvas was so cracked that the face was obliterated.
This is likely the photograph given to Woodcroft by Crompton’s grandson of the same name in March 1860, which Crompton printed from a negative in his possession. If this copy in oil of the original had been in Woodcroft’s collection at the time the engraving was being carried out, Barlow would have likely stated it was from the copy, rather than from a photograph as he did in other examples. It is therefore probable that this copy in oil entered Woodcroft’s collection after Barlow had completed his engraving. The precise circumstances of the copy’s creation and entrance into Woodcroft’s collection remain unclear.
Several other copies of the Allingham original exist. One is in the Science Museum Group Collection. In 1860 Samuel Crompton (grandson) also had in his possession a copy by ‘Poole of Sheffield’, likely William Poole (c.1798–1888; several portraits by him are held by Museums Sheffield). In correspondence between Crompton and Woodcroft other possible copies are referred to, but the existence of these remains unconfirmed.
Title
Samuel Crompton (1753–1827)
Date
1852–1862
Medium
oil on canvas
Measurements
H 74 x W 61 cm
Accession number
1903-229
Acquisition method
Bennet Woodcroft Bequest
Work type
Painting