Figurative painter, using a rich palette to produce strong and gestural works. She was born Victoria Proctor in Epworth, Lincolnshire, into a nonconformist background, marrying Richard Colbourn, an engineer, in 1922. From then for some years lived at Radcliffe, Manchester. Studied painting and drawing under Joseph Knight at Bury School of Art and had lessons from Emmanuel Levy. Began to exhibit widely at group shows in Preston, Manchester and Liverpool and with BWS, of which she was elected an associate in 1923. For a time she wrote reviews of local and national exhibitions for the Bury Times. When her marriage to Colbourn broke down she married Joseph Wilson and lived for a time in Guildford, early in the 1940s settling with him and their daughters in Staithes, Yorkshire, a popular venue for artists.
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Her oil Fisherwomen, Staithes, was shown at the Paris Salon, 1947. In the 1940s and 1950s Colbourn was critically acclaimed, Eric Newton in The Listener in 1953 terming her “passionate, lyrical, utterly sincere – determined to express her turbulent vision with the utmost directness – she has the promise of greatness”. Colbourn’s work would be exhibited alongside that of Gillian Ayres, Terry Frost, Barbara Hepworth and Henry Moore; the Mayor and Hanover Galleries showed her pictures; she had had a one-man show at Wertheim Gallery in 1937, adding four solo exhibitions at Berkeley Galleries, 1951–66, and one at Stone Gallery, Newcastle upon Tyne, 1960. After her death in Staithes there were memorial shows at Austen Hayes Gallery, York, 1968, and Billingham Art Gallery, 1969. In 1998, Lilian Colbourn, A Turbulent Vision, toured from Myles Meehan Gallery, Darlington Arts Centre. Messum’s held an exhibition in 2004 with a comprehensive catalogue.
Text source: 'Artists in Britain Since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company)