Art theme: everyday

Scenes of everyday life are known by art historians as 'genre' paintings. They usually focus on ordinary and unidentifiable people doing normal, everyday things. This is the opposite of what art historians call 'history' paintings where the artist shows a specific scene from history or myth.

Contextual background for teachers

Interior (1938)
William Gillies (1898–1973)

Medium: oil on canvas
Dimensions: H 127 x W 173.5 cm

William George Gillies is one of Scotland's best-known twentieth-century artists. He taught at Edinburgh College of Art where he inspired generations of young painters.

Gillies took inspiration from Post-Impressionism and European modern art to develop a uniquely expressive painting style. In Interior, he brings landscape, still life and portraiture together for this scene painted in his family home. The painting was made two years after the death of Gillies' sister Emma, whom he was close to, and reflects his family, their identities and relationships in the context of this loss.

Gillies places himself in the centre of the composition, between his mother and his sister Janet. He has presented Janet some 20 years younger than she would have been at the time Interior was painted. A small red squirrel, a ceramic made by Emma, can be seen behind his mother's head to the left.

At first, it looks as if Gillies is standing in a narrow space between two rooms, but in fact, he has painted a reflection of himself in a tall, narrow mirror. If you look closely, you will see that he has treated the reflected space behind him in the mirror differently from the space in the rest of the painting. He uses the mirror to explore the idea of visual illusion. By placing a reflection of himself painting the picture we are looking at, he makes the artist and the act of creation a part of the painting itself.

Look, describe and discuss

Open a full-screen version of the zoomable image in a new window.

Ask children to describe the artwork, encouraging them to simply say what they can see.

You can start by showing the whole image, and then use the zoom feature to explore details of the painting. Or you might like to start by using the zoom feature to show a detail from the image, and then zoom out to see more.

Encourage children to look carefully – this is their superpower! It's best to not give too much background information about the artwork at this stage, so children can develop their own ideas and opinions.

An audio description of the painting is available. It is accompanied by a full written transcript which can also be used to describe the painting.

Nudge questions

Now when looking at the painting, ask more specific ('nudge') questions:

  • Is it a painting of an inside place or an outside place?
  • How many rooms can you see in this painting?
  • How many people can you see in this house and who do you think they are? Are they related?
  • Who do you think is the oldest person in this painting?
  • Look at the man in the middle of the painting. Can you tell what job he has?

Questions from The Superpower of Looking Kit

Now we can start to explore the 'elements' of the painting. For this artwork, you may like to focus on the following areas from The Superpower of Looking Kit:

  • Composition
  • Colour
  • Materials and techniques

Ask children to evidence their points:

  • where exactly are they looking when they make a statement?
  • can everybody see what they see?
  • slow down, take time to really look closely

Helpful responses to the questions below can be found in the teachers' notes. You may also like to introduce knowledge from the contextual background for teachers at this point. 

See our Everyone learning activities below for practical activities to support children's understanding of composition, colour, and materials and techniques.

Everyone learning

You can find out more about The Superpower of Looking SEND/ASD/ALN/ASN approach on our Everyone learning page.

Now it's time to explore the artwork in different ways. This list of sensory activities encourages children to apply their learning and can suit a variety of learning needs.

Make

  • Explore composition: play with rectangles. Cut several different rectangular shapes out of cardboard and paint them on both sides using similar colours to those in the painting. Invite children to draw objects or people from the rooms in the painting onto the painted cardboard using oil pastels or similar. Create a three-dimensional construction using the cardboard rectangles. Children can work together in groups to build their construction. Cut slots into the cardboard pieces so children can easily fit them together without the use of glue or tape. 
  • Explore colour: teach children about warm and cool colours. Gather together objects for children to sort by colour. Ask them to lay them out from warm (red, orange, yellow) to cool (purple, green, blue, grey).
  • Explore materials and techniques: add cornflour or everyday flour to paints to thicken them. Provide large brushes and/or plastic painting knives for children to experience creating a textured painting. 

Experience

  • Recreate the smell and textures of the rooms. Start with the one on the left. It has a bowl of red apples, a vase of white and pink flowers (try scented carnations), a wooden sideboard (try furniture polish), and a woollen rug. The room reflected in the centre, occupied by Gillies, probably smells mainly of oil paint (or linseed oil)! The room on the right is a bedroom where we find a dressing table. Perhaps there are some rose or lavender-scented toiletries? Perhaps the fireplace smells of coal? 
  • Listen to the audio description of the painting.

 

Communicate 

  • Look carefully at the painting and decide which room you would most like to be in. Use three words to describe your chosen room. Can your talking partner guess which room you have chosen?
  • Learn the Makaton sign for ‘family’.

Final stage: review

Use talk and observation to identify children's thoughts, ideas and learning from the lesson.

  • Are they using the language you have introduced?
  • What is their response during practical activities?
  • Do children use learning from the lesson in their independent play or artworks?

 

Congratulations!

You have now completed this lesson resource on The Superpower of Looking.

There are more resources below which have been written for early primary and early years children. You may also like to explore the rest of The Superpower of Looking resources which can be adapted for use with younger children. 


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