Art theme: landscapes

The term 'landscape' is broad and encompasses seascapes, cityscapes and townscapes too. Historically, landscape painting has been associated with scenes of the natural world. Sometimes the landscape depicted contains no figures or shows human activity as secondary to the environment. The category has become looser over time and representation can range from accurate depictions of the area to much more abstracted depictions of the land and sea.

Contextual background for teachers

Rhodroponicum (2005)
Melanie Carvalho (b.1969)

Medium: mixed media on paper
Dimensions: H 152 x W 122 cm

As inspiration for this work, Melanie Carvalho explored the west coast of Scotland in search of non-indigenous plant species. Plants such as rhododendrons and palm trees, which feature prominently in this artwork, are not native to Scotland but have found a home there. The work explores our global society and and asks the question: what – or who – do we expect to encounter in the Scottish countryside, which can be glimpsed through a window in the centre of the artwork?

The title, Rhodroponicum, is a composite word: a collage, perhaps, of 'rhododendron' and 'hydroponicum' – an enclosed growing system, like the fantasy greenhouse Carvalho depicts here.

Look, describe and discuss

Open a full-screen version of the zoomable image in a new window.

Ask your students to describe the artwork, encouraging them to simply say what they can see.

You can start by showing the whole image, and then use the zoom feature to explore details of the artwork. Or you might like to start by using the zoom feature to show a detail from the image, and then zoom out to see more.

Encourage your students to look carefully – this is their superpower! It's best to not give too much background information about the artwork at this stage, so students can develop their own ideas and opinions.

An audio description of the artwork is available to listen to during this stage. It is accompanied by a full written transcript which can also be used to describe the artwiork. 

Nudge questions

Now when looking at the painting, ask more specific ('nudge') questions:

  • Where are your eyes drawn first? Why?
  • How many people can you spot? How many animals?
  • Why do you think there is a window in the centre of the artwork?
  • What man-made things can you spot in the artwork?
  • Imagine you could step into the artwork. Where would you want to explore? What would you want to do?

Questions from The Superpower of Looking Kit

Now we can start to explore the 'elements' of the artwork.

For this artwork, you will focus on the following areas from The Superpower of Looking Kit:

  • Composition
  • Colour
  • Materials and techniques

Ask your students to evidence their points:

  • where exactly are they looking when they make a statement?
  • can everybody see what they see?
  • slow down, take time to really look closely

You can introduce knowledge from the contextual background for teachers while asking these bespoke questions with helpful responses which can be found in the teachers' notes.

Everyone learning

You can find out more about The Superpower of Looking SEND/ASD/ALN/ASN approach on the Superpower homepage.

Now it's time to explore the artwork in different ways. This list of sensory activities encourages students to apply their learning and can suit a variety of learning needs.

Make
We suggest creative activities for all learners, including a tactile option to support students with vision impairment: these activities explore the tactile qualities of materials or involve gestural mark-making to further explore the artwork.

  • Explore the use of colour in the collage: choose two colours, and find images (of flowers, or another subject of your choice) which fit that colour scheme. Arrange on a predominantly white or black background, placing blocks of colour to guide the eye around your page, and glue down.
  • Tactile option: create a tactile collage, using two different textures of card or paper (such as corrugated card and sugar paper). Cut large and small shapes from each texture of card. Arrange them on a plain background. Use the different textures to create a route around your canvas: this can be used to guide your hand around the picture, just as Carvalho uses colour to guide our eyes around Rhodroponicum. Glue down your shapes.

 

Experience

  • Listen to the audio description of the artwork.

 

  • Gather objects related to the artwork and explore them with all your senses: fallen treasures from a garden or park such as leaves, twigs, flowers and pebbles; scented flowers like lilies; something bendy like a slinky toy; a string of pearls or beads; a viewfinder (card with a square cut out of it) to create a window looking out onto your surroundings.  

 

Communicate

  • In pairs, think about what might happen when a non-native and fast-growing plant, like a rhododendron, starts to grow in a new place. Can you come up with a list of effects on the wildlife, plants and people in that place?
  • Learn the Makaton sign for ‘grow’.

Final stage: review

Ask your students to:

  • share their sketchbooks in groups and discuss the 'elements' they have identified
  • choose an element/aspect they find most interesting about the artwork and record it in their sketchbooks
  • choose their own name/s for the title of the artwork
  • think of a question they would like to ask the artist


Congratulations!

You have now completed this lesson resource on The Superpower of Looking.

There are more resources in this theme to try – have a look at the 'next lessons' section below.

You can also find The Superpower of Looking videos on BBC Teach as part of their Art & Design 7–11 resources.


Do you know someone who would love this resource?
Tell them about it...

More The Superpower of Looking resources

See all