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Topics

Plants and flowers

  • Summary
A Bank of Quaresma and Trumpet Trees, Brazil
Image credit: The Board of Trustees of the Royal Botanic Gardens, Kew

A Bank of Quaresma and Trumpet Trees, Brazil

Marianne North (1830–1890)

Royal Botanic Gardens, Kew

The painting of flowers is one of the greatest tests of the still life painter and many became specialists in the subject in the seventeenth century. Flower-paintings themselves are ideal for domestic interiors, but they can also have hidden meanings. Many individual flowers have symbolic meanings, but the flower-piece itself, especially when combined with insects, or even skulls and hourglasses, can be a reminder of mortality: our brief life in this world.


Read more

Elaborate flower paintings often contain species that do not flower at the same time, reminding us how carefully contrived and composed they are. In the more naturalistic nineteenth century, artists such as Fantin-Latour and Courbet had great success with flower paintings of the highest quality.

Artworks

  • Lady in White Dress Holding Flowers
    Lady in White Dress Holding Flowers George Elgar Hicks (1824–1914)
    Southampton City Art Gallery
  • Untitled
    Untitled Maggi Hambling (b.1945)
    Southampton City Art Gallery
  • Double Buddha
    Double Buddha Bill Jacklin (b.1943)
    Arts Council Collection, Southbank Centre
  • A London Crossing Sweeper and Flower Girl
    A London Crossing Sweeper and Flower Girl Augustus Edwin Mulready (1844–1905)
    Museum of London
  • Study for 'Rosecutter'
    Study for 'Rosecutter' Alison Watt (b.1965)
    Southampton City Art Gallery
  • Woman in White Dress
    Woman in White Dress George Elgar Hicks (1824–1914)
    Southampton City Art Gallery
  • Two Ladies
    Two Ladies George Elgar Hicks (1824–1914)
    Southampton City Art Gallery
  • 4,065 more

Stories

  • Dante Gabriel Rossetti's 'Regina Cordium'

    Joanna Meacock

  • Easter Bouquet
    Cedric Morris: plantsman, painter and traveller

    Lawrence Hendra

  • Thelma Hulbert: the Euston Road School and her circle of pioneering women

    Alicia Foster

  • Cup & Tray, Large Vase and Teapot
    Seven questions with Lowri Davies

    Siân Lile-Pastore

  • Flower power: Rachel Ruysch and Dutch Golden Age bouquets

    Alice Vincent

  • Breakfast
    The quiet radicalism of still lifes

    Philomena Epps

  • The iconic iris: a floral favourite in art

    Lucy Ellis

  • Female artists and flowers

    Jane Simpkiss

  • Winifred Nicholson: capturing the joy of colour

    Jovan Nicholson

  • Write on Art: 'Preserve 'Beauty'' by Anya Gallaccio

    Variaam Tratt

  • Jan Brueghel the elder's 'A Stoneware Vase of Flowers'

    Henrietta Ward

  • Samuel John Peploe: the success story of a Scottish Colourist

    Alice Strang

  • 1950, oil on canvas by Charles Mahoney (1903–1968)
    Charles Mahoney: teacher, artist, gardener

    Victoria Rodrigues O'Donnell

  • Sunday 25th June 2017
    Say it with roses: floral symbolism from Aphrodite to Nick Knight

    Maya Binkin

  • Artist and designer Jo Angell in her studio
    How a Victorian woman's art inspired a new range of homeware

    Jo Angell

  • The versatility of Elizabeth Blackadder

    Lydia Figes

  • Blooming marvellous: a look at flowers in art

    Anita Sethi

  • Viewing Van Gogh's 'Sunflowers' in The National Gallery
    Seven British artists inspired by Van Gogh's 'Sunflowers'

    Martin Bailey

  • Horizontal or vertical?

    Liz Waring

  • Marianne North
    Marianne North in India: travels of a pioneering Victorian artist

    Nancy Lyons

  • Shani Rhys James in her studio
    Shani Rhys James: studio selfies and feminist flowers

    Ruth Millington

  • A fascination with still life

    Hazel Buchan Cameron

  • Natural instinct: the graphic and sculptural skill of Gertrude Hermes

    Jane Hill

  • Annette in her studio, 2021
    Seven questions with Annette Marie Townsend

    Steph Roberts

  • Morris, Lett-Haines and Rubio the parrot
    Revealing nature: Cedric Morris and Arthur Lett-Haines

    Pat Hardy

  • Marianne North: a trailblazing artist

    Andrew Shore

  • Tirzah Garwood's 'Hornet with Wild Roses'

    Nicola Jeffs

  • This Dark Country: Women Artists, Still Life and Intimacy in the Early Twentieth Century
    The women artists who radically reclaimed still life

    Rebecca Birrell

  • Art in science, science in art: the Whipple Museum collection

    Guey-Mei Hsu

  • 1960, oil on canvas by Jean Cooke (1927–2008)
    Through the looking glass with Jean Cooke

    Ruth Millington

  • Most blessed, most cursed: the duality of Blodeuwedd, Welsh goddess of flowers

    Dan Mitchell

Learning resources

  • abd-aag-ag002913-thumb-edited-1-1.jpg
    Round-up
    Wellbeing resources
    • CfE L2 (SCO)
      PS3 (WAL)
      KS2 (ENG)
      KS2 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
  • GL_GM_104-001.jpg
    Audio
    Audio description of 'Still Life, Flowers and Insects' by Rachel Ruysch
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)
  • dmgallery-hero-1.jpg
    Video
    The Superpower of Looking with Denise Mina
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
  • scotland-g658448ffd-1920-1.jpg
    Lesson plan
    Be inspired by plants with Halima Cassell
    • KS1 (ENG)
      KS1 (NI)
      CfE L1 (SCO)
      PS2 (WAL)
  • som-amb-1970-76-001-1.jpg
    Activity
    Make patterns inspired by plant shapes
    • KS1 (ENG)
      KS1 (NI)
      CfE L1 (SCO)
      PS2 (WAL)
      KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • GL_GM_104-001.jpg
    Lesson plan
    The Superpower of Looking: Rachel Ruysch's flowers and insects
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • GL_GM_24021.jpg
    Lesson plan
    The Superpower of Looking: Matisse and a pink tablecloth
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • gl-gm-24021-1.jpg
    Audio
    Audio description of 'The Pink Tablecloth' by Henri Matisse
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)
  • stf-walg-2007-010-p-001-2-1.jpg
    Lesson plan
    The Superpower of Looking: a landscape of the imagination in collage
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • lw-wmos-t13-002-1.jpg
    Lesson plan
    Pattern and identity: William Morris's 'Strawberry Thief'
    • KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS4 (ENG)
  • dn-collage-column-details-resized-1.jpg
    Lesson plan
    David Nash: shapes and textures from nature into art
    • KS2 (ENG)
      KS2 (NI)
      PS3 (WAL)
      CfE L2 (SCO)
  • fructus-1.jpg
    Video
    HENI Talks x ARTiculation: 'Fructus' by Peter Randall-Page
    • KS3 (ENG)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)
      KS3 (NI)
      KS4 (ENG)
      KS4 (NI)
      CfE Sen. (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      KS5 (WAL)
  • stf-walg-2007-010-p-001-1.jpg
    Audio
    Audio description of 'Rhodroponicum' by Melanie Carvalho
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)
  • sarah-graham-walsall-1.png
    Video
    The Superpower of Looking with Sarah Graham in Walsall
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
  • gcse-2025-themes-2-1.jpg
    Exam support
    Art and Design GCSE exam support: 2025 themes
    • KS4 (ENG)
      KS4 (NI)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).