Sarah studied Art History at Durham University before obtaining her master's degree in the subject at the University of Manchester.
Sarah is a Victorian Arts & Crafts specialist, having researched and written widely on the subject, including William Morris’s revival of embroidery, William Blake’s influence on the Pre-Raphaelites, Bookbinding and the Kelmscott Press and, most recently, William De Morgan’s use of mathematics in his ceramic designs, for the De Morgan Foundation’s successful touring exhibition, Sublime Symmetry.
Sarah began her museum career in the education department at The Fitzwilliam Museum in Cambridge, before working on interpretation at Helmshore Mills Textile Museum, Lady Lever Art Gallery, and Two Temple Place. Sarah then worked extensively on loans and exhibitions at The National Gallery and the British Library, where she completed the Institute of Art and Law Diploma on Law and Collections Management, before joining the De Morgan Foundation in 2018. Sarah is Curator-Manager of the De Morgan Foundation.
