Since the mid-1700s, artists have looked towards the sea as a constant source of inspiration for their work. Some artists were drawn to wild, solitary, remote from what the poet, Edward Thomas called ‘the parochialism of humanity’, and wide open places, and others to flotsam and jetsam found on the beach.


Many of the artists in this exhibition identified themselves with a particular stretch of the shoreline, a particular viewpoint from the edge of the sea, and in painting it, they tended to shape anew the way we see it.

16 artworks

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Winter Sea IV
© the Eardley estate. All rights reserved, DACS 2024. Image credit: Aberdeen Art Gallery & Museums
Winter Sea IV 1958
Joan Kathleen Harding Eardley (1921–1963)
Oil on board
H 53.4 x W 78.8 cm
Aberdeen Art Gallery & Museums

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High Tide, a Winter Afternoon
© the Eardley estate. All rights reserved, DACS 2024. Image credit: Aberdeen Art Gallery & Museums
High Tide, a Winter Afternoon 1961
Joan Kathleen Harding Eardley (1921–1963)
Oil on hardboard
H 117 x W 235.7 cm
Aberdeen Art Gallery & Museums

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Iona, Grey Day
Image credit: Aberdeen Art Gallery & Museums
Iona, Grey Day 1927
Samuel John Peploe (1871–1935)
Oil on canvas
H 50.8 x W 61.3 cm
Aberdeen Art Gallery & Museums

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Blue Sea, Iona
Image credit: Aberdeen Art Gallery & Museums
Blue Sea, Iona 1927
Samuel John Peploe (1871–1935)
Oil on canvas
H 51 x W 61.3 cm
Aberdeen Art Gallery & Museums

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Stormy Weather, Iona
Image credit: Aberdeen Art Gallery & Museums
Stormy Weather, Iona c.1929
Samuel John Peploe (1871–1935)
Oil on canvas
H 51.2 x W 61 cm
Aberdeen Art Gallery & Museums

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The White Calm, Ailsa Craig from Port an Righ
Image credit: Aberdeen Art Gallery & Museums
The White Calm, Ailsa Craig from Port an Righ 1901
William McTaggart (1835–1910)
Oil on canvas
H 119.9 x W 156.2 cm
Aberdeen Art Gallery & Museums

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Bird's Eye View of a Beach
© the artist's estate. Image credit: Aberdeen Art Gallery & Museums
Bird's Eye View of a Beach c.1976
Sylvia Wishart (1936–2008)
Oil on board
H 101.4 x W 126.8 cm
Aberdeen Art Gallery & Museums

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Leviathan – Elegy 1982
Will Maclean (b.1941)
Aberdeen Art Gallery & Museums

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The Slipway at Peniche, Portugal
© the artist's estate / Bridgeman Images. Image credit: Aberdeen Art Gallery & Museums
The Slipway at Peniche, Portugal 1948
Tristram Paul Hillier (1905–1983)
Oil on canvas
H 64.3 x W 95.3 cm
Aberdeen Art Gallery & Museums

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Visibility Moderate
Image credit: Aberdeen Art Gallery & Museums
Visibility Moderate 1934
Edward Alexander Wadsworth (1889–1949)
Tempera on panel
H 63.8 x W 89 cm
Aberdeen Art Gallery & Museums

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The Quay, Dieppe, France
Image credit: Aberdeen Art Gallery & Museums
The Quay, Dieppe, France 1929
Christopher Wood (1901–1930)
Oil on board
H 41.5 x W 56.2 cm
Aberdeen Art Gallery & Museums

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Three Boats off the Shore
Image credit: Aberdeen Art Gallery & Museums
Three Boats off the Shore
Alfred Wallis (1855–1942)
Oil on cardboard
H 35.1 x W 47 cm
Aberdeen Art Gallery & Museums

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Mare Solemnis 1989
Martin Rayner (1947–2004)
Aberdeen Art Gallery & Museums

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The Beach, Largo, Fife, at Low Tide
Image credit: Aberdeen Art Gallery & Museums
The Beach, Largo, Fife, at Low Tide
George Leslie Hunter (1877–1931)
Oil on board
H 22 x W 30.1 cm
Aberdeen Art Gallery & Museums

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On the Beach, Étaples, France
© The Fergusson Gallery, Perth and Kinross Council, Scotland. Image credit: Aberdeen Art Gallery & Museums
On the Beach, Étaples, France c.1905–1906
John Duncan Fergusson (1874–1961)
Oil on board
H 18.7 x W 24.1 cm
Aberdeen Art Gallery & Museums

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Scheveningen Sands
Image credit: Aberdeen Art Gallery & Museums
Scheveningen Sands 1884
Alfred Emile Léopold Joseph Victor Stevens (1823–1906)
Oil on canvas
H 27.2 x W 35.2 cm
Aberdeen Art Gallery & Museums