Since the mid-1700s, artists have looked towards the sea as a constant source of inspiration for their work. Some artists were drawn to wild, solitary, remote from what the poet, Edward Thomas called ‘the parochialism of humanity’, and wide open places, and others to flotsam and jetsam found on the beach.


Many of the artists in this exhibition identified themselves with a particular stretch of the shoreline, a particular viewpoint from the edge of the sea, and in painting it, they tended to shape anew the way we see it.

16 artworks
Winter Sea IV
© the Eardley estate. All rights reserved, DACS 2024. Image credit: Aberdeen Art Gallery & Museums

Winter Sea IV 1958

Joan Kathleen Harding Eardley (1921–1963)

Oil on board

H 53.4 x W 78.8 cm

Aberdeen Art Gallery & Museums

High Tide, a Winter Afternoon
© the Eardley estate. All rights reserved, DACS 2024. Image credit: Aberdeen Art Gallery & Museums

High Tide, a Winter Afternoon 1961

Joan Kathleen Harding Eardley (1921–1963)

Oil on hardboard

H 117 x W 235.7 cm

Aberdeen Art Gallery & Museums

Iona, Grey Day
Image credit: Aberdeen Art Gallery & Museums

Iona, Grey Day 1927

Samuel John Peploe (1871–1935)

Oil on canvas

H 50.8 x W 61.3 cm

Aberdeen Art Gallery & Museums

Blue Sea, Iona
Image credit: Aberdeen Art Gallery & Museums

Blue Sea, Iona 1927

Samuel John Peploe (1871–1935)

Oil on canvas

H 51 x W 61.3 cm

Aberdeen Art Gallery & Museums

Stormy Weather, Iona
Image credit: Aberdeen Art Gallery & Museums

Stormy Weather, Iona c.1929

Samuel John Peploe (1871–1935)

Oil on canvas

H 51.2 x W 61 cm

Aberdeen Art Gallery & Museums

The White Calm, Ailsa Craig from Port an Righ
Image credit: Aberdeen Art Gallery & Museums

The White Calm, Ailsa Craig from Port an Righ 1901

William McTaggart (1835–1910)

Oil on canvas

H 119.9 x W 156.2 cm

Aberdeen Art Gallery & Museums

Bird's Eye View of a Beach
© the artist's estate. Image credit: Aberdeen Art Gallery & Museums

Bird's Eye View of a Beach c.1976

Sylvia Wishart (1936–2008)

Oil on board

H 101.4 x W 126.8 cm

Aberdeen Art Gallery & Museums

Leviathan – Elegy 1982

Will Maclean (b.1941)

Aberdeen Art Gallery & Museums

The Slipway at Peniche, Portugal
© the artist's estate / Bridgeman Images. Image credit: Aberdeen Art Gallery & Museums

The Slipway at Peniche, Portugal 1948

Tristram Paul Hillier (1905–1983)

Oil on canvas

H 64.3 x W 95.3 cm

Aberdeen Art Gallery & Museums

Visibility Moderate
Image credit: Aberdeen Art Gallery & Museums

Visibility Moderate 1934

Edward Alexander Wadsworth (1889–1949)

Tempera on panel

H 63.8 x W 89 cm

Aberdeen Art Gallery & Museums

The Quay, Dieppe, France
Image credit: Aberdeen Art Gallery & Museums

The Quay, Dieppe, France 1929

Christopher Wood (1901–1930)

Oil on board

H 41.5 x W 56.2 cm

Aberdeen Art Gallery & Museums

Three Boats off the Shore
Image credit: Aberdeen Art Gallery & Museums

Three Boats off the Shore

Alfred Wallis (1855–1942)

Oil on cardboard

H 35.1 x W 47 cm

Aberdeen Art Gallery & Museums

Mare Solemnis 1989

Martin Rayner (1947–2004)

Aberdeen Art Gallery & Museums

The Beach, Largo, Fife, at Low Tide
Image credit: Aberdeen Art Gallery & Museums

The Beach, Largo, Fife, at Low Tide

George Leslie Hunter (1877–1931)

Oil on board

H 22 x W 30.1 cm

Aberdeen Art Gallery & Museums

On the Beach, Étaples, France
© The Fergusson Gallery, Perth and Kinross Council, Scotland. Image credit: Aberdeen Art Gallery & Museums

On the Beach, Étaples, France c.1905–1906

John Duncan Fergusson (1874–1961)

Oil on board

H 18.7 x W 24.1 cm

Aberdeen Art Gallery & Museums

Scheveningen Sands
Image credit: Aberdeen Art Gallery & Museums

Scheveningen Sands 1884

Alfred Emile Léopold Joseph Victor Stevens (1823–1906)

Oil on canvas

H 27.2 x W 35.2 cm

Aberdeen Art Gallery & Museums