From traditional incised lettering on memorials, to the use of letterforms and typography as works of art in their own right, this is a genre of sculpture with a message. In this Curation you’ll find interesting and varied examples where words, typography and letterforms have been used to create a unique form of sculpture.

44 artworks
  • The Garden of Floating Words

    The Garden of Floating Words 2017
    Elisa Artesero
    Clear acrylic & neon glass
    H 200 x W 50 x D 50 cm
    City of London Corporation
    The Garden of Floating Words
    © the artist. Image credit: Nick Turpin, courtesy of Sculpture in the City

  • All Schools Should Be Art Schools



  • The Priority of Speech

    The Priority of Speech 2010–2016
    Bethan Huws (b.1961)
    Aluminium, glass, rubber & plastic letters
    H 100 x W 75 cm
    Government Art Collection
    The Priority of Speech
    © DACS 2024. Image credit: Government Art Collection

  • Thocht Stane (Thought Stone)

    Thocht Stane (Thought Stone) 1998
    Donald Urquhart (b.1959)
    Sandstone & granite
    Thocht Stane (Thought Stone)
    © the artist. Image credit: Donald Stewart / Art UK

  • The Tree that Never Grew

    The Tree that Never Grew
    Jennifer Grant
    The Tree that Never Grew
    © the copyright holder. Image credit: Gordon Baird / Art UK

  • War Memorial

    War Memorial 2007
    Charles Gurrey (b.1953)
    Caithness stone
    H 260 x W 89 x D 10 cm
    Bletchley Park Trust
    War Memorial
    © the artist. Image credit: Charles Gurrey 2007 and Bletchley Park Trust 2019

  • There is no border here

    There is no border here 2006
    Shilpa Gupta (b.1976)
    High-visibility tape
    H 118.1 x W 118.1 cm
    Bristol Museums, Galleries & Archives
    There is no border here
    © the artist. Image credit: Shilpa Gupta

  • Flowing Onwards

    Flowing Onwards
    Angela Godfrey (b.1939)
    Dunhouse sandstone
    H 121 x W 150 cm
    Flowing Onwards
    © the artist. Image credit: Tracy Jenkins / Art UK

  • Arcadia

    Arcadia 2007
    Leo Fitzmaurice (b.1963)
    Reflective vinyl, paint, aluminium & steel
    H 220 x W 160 x D 10 cm
    City of London Corporation
    Arcadia
    © the artist, courtesy of The Sunday Painter. Image credit: Nick Turpin, courtesy of Sculpture in the City

  • Suffering Arcadia

    Suffering Arcadia 2019
    Annabel McCourt (b.1975)
    Neon
    Scarborough Museums and Galleries
    Suffering Arcadia
    © the artist. Image credit: Scarborough Museums Trust & Annabel McCourt

  • Orbis et umbra

    Orbis et umbra 2015
    Martin Reilly (b.1958) and Hazel Buchan Cameron
    Stone, metal & gold leaf
    H 50 x W 40 x D 40 cm
    Corbenic Poetry Path
    Orbis et umbra
    © Hazel Buchan Cameron & Corbenic Poetry Path. Image credit: Corbenic Poetry Path

  • The Flame

    The Flame
    Angela Godfrey (b.1939)
    Portland stone
    H 155 cm
    The Flame
    © the artist. Image credit: Tracy Jenkins / Art UK

  • War Memorial 1919
    Eric Gill (1882–1940) and Herbert Joseph Cribb (1892–1967)
    Stone
    H 26 x W 53 x D 53 cm
    War Memorial
    © the copyright holder. Image credit: Andrew Lloyd / Art UK

  • Stone of Destiny

    Stone of Destiny
    George Ralston Wyllie (1921–2012)
    Concrete & aluminium
    The Stirling Smith Art Gallery & Museum
    Stone of Destiny
    © George Wyllie Estate. Image credit: The Stirling Smith Art Gallery & Museum

  • The Book 1998
    Peter W. Nicholas (1934–2015)
    Slate & marble
    H 183 cm
    The Book
    © the copyright holder. Image credit: Tony Bennett / Art UK

  • Constantly to Light 2015
    Peter Coates (b.1963)
    Branshaw sandstone, Pentalikon marble & palladium gilding
    H 85 x W 36 x D 16 cm
    The Laurence Sterne Trust
    Constantly to Light
    © the artist. Image credit: The Laurence Sterne Trust

  • X 1966
    William Turnbull (1922–2012)
    Galvanised painted steel
    Yorkshire Sculpture Park
    X
    © Courtesy of the Artist's Estate and YSP. Image credit: Jonty Wilde. Courtesy of YSP

  • No and No and No c.1972
    Bernard Schottlander (1924–1999)
    Painted steel
    H 109 x W 63 x D 46 cm
    Milton Keynes City Discovery Centre
    No and No and No
    © the artist's estate. Image credit: Milton Keynes City Discovery Centre

  • I Love Real Life

    I Love Real Life 2007
    Ross Sinclair (b.1966)
    Neon & perspex
    H 26 x W 122 x D 8.5 cm
    The Pier Arts Centre
    I Love Real Life
    © the artist. Image credit: The Pier Arts Centre

  • At Night This Water Turns Black

    At Night This Water Turns Black 2014
    Laure Prouvost (b.1978)
    Oil, collage, varnish on board & glass of water
    H 26.5 x W 21 cm
    Government Art Collection
    At Night This Water Turns Black
    © Laure Prouvost. All rights reserved, DACS 2024. Image credit: Government Art Collection

  • Chthonic Box

    Chthonic Box 1974
    Joe Tilson (1928–2023)
    Wood & mixed media
    H 96.5 x W 106.5 x D 9.5 cm
    Government Art Collection
    Chthonic Box
    © DACS 2024. Image credit: Government Art Collection

  • More Passion

    More Passion 2010
    Tracey Emin (b.1963)
    Coral pink neon
    H 46 x W 112 cm
    Government Art Collection
    More Passion
    © Tracey Emin. All rights reserved, DACS 2024. Image credit: Government Art Collection

  • Work No. 253: THINGS 2000
    Martin Creed (b.1968)
    Yellow neon
    H 14.5 x W 75 cm
    Government Art Collection
    Work No. 253: THINGS
    © Martin Creed. All Rights Reserved, DACS 2024. Image credit: Government Art Collection

  • wavespeech

    wavespeech 2015
    Edmund de Waal (b.1964)
    Gilt
    H 12 x W 1495 cm
    The Pier Arts Centre
    wavespeech
    © the artist. Image credit: The Pier Arts Centre

  • 'We are the music makers…'

    'We are the music makers…' 2006
    Angela Godfrey (b.1939)
    Lime
    H 133 x W 29.5 x D 8 cm
    Harlow Art Trust
    'We are the music makers…'
    © the artist. Image credit: Harlow Art Trust

  • Le Bouan crapaud (Toad)

    Le Bouan crapaud (Toad) 2004
    Gordon Young (b.1952)
    Polished Jersey granite
    H 274 cm
    Le Bouan crapaud (Toad)
    © the artist. Image credit: Mary P Crowther / Art UK

  • Stone Panel*

    The Beloved Disciple Stone Panel* 17th C
    unknown artist
    Alabaster
    H 26 x W 22 x D 8 cm
    English Heritage, Helmsley Archaeological Store

  • Typewriter

    Typewriter
    Amy Bonsor (b.1986)
    Textile
    Leicestershire County Council Artworks Collection
    Typewriter
    © the artist. Image credit: Leicestershire County Council Artworks Collection

  • Transnational Anthem 2

    Transnational Anthem 2 1998
    Jaime Gili (b.1972)
    Customised car plates
    H 52 x W 11 x D 5 cm
    Essex Collection of Art from Latin America
    Transnational Anthem 2
    © Essex Collection of Art from Latin America. Image credit: Essex Collection of Art from Latin America

  • Happy Hour in the Harmful Factory

    Happy Hour in the Harmful Factory 2019
    Annabel McCourt (b.1975)
    Mixed media & neon
    Scarborough Museums and Galleries
    Happy Hour in the Harmful Factory
    © the artist. Image credit: Scarborough Museums Trust & Annabel McCourt

  • Field Holler

    Field Holler 2015
    Martin Reilly (b.1958) and Jim Carruth (b.1963)
    Stone
    H 167 x W 63 x D 17 cm
    Corbenic Poetry Path
    Field Holler
    © Jim Carruth & Corbenic Poetry Path. Image credit: Corbenic Poetry Path

  • Memorial to Francis Crick (1916–2004)

    Memorial to Francis Crick (1916–2004) 2013
    Roger Carpenter and Brown and Ralph and Lida Lopes Cardozo Kindersley (b.1954)
    Stone
    H 5 x W 240 x D 640 cm
    Gonville & Caius College, University of Cambridge
    Memorial to Francis Crick (1916–2004)
    © the copyright holders. Image credit: Gonville & Caius College, University of Cambridge

  • One Cannot Collect All the Beautiful Shells on the Beach

    One Cannot Collect All the Beautiful Shells on the Beach 2002
    Lida Lopes Cardozo Kindersley (b.1954)
    Stone
    H 21.2 x W 104 x D 104.5 cm
    Addenbrooke's Hospital, Cambridge University Hospitals NHS Foundation Trust
    One Cannot Collect All the Beautiful Shells on the Beach
    © the artist. Image credit: Addenbrooke's Hospital, Cambridge University Hospitals NHS Foundation Trust

  • Decorative Masks and Associated Carving

    Decorative Masks and Associated Carving 1905–1907
    H. H. Martyn & Co. (active 1888–1971)
    Doulton Carrara terracotta
    Decorative Masks and Associated Carving
    © the copyright holder. Image credit: Gordon Baird / Art UK

  • What's the Point of Robbery When Nothing is Worth Taking?

    What's the Point of Robbery When Nothing is Worth Taking? 2009
    Jonathan Boyle (b.1971)
    Perspex, vinyl & aluminium
    H 40 x W 150 x D 16.8 cm
    Bristol Museums, Galleries & Archives
    What's the Point of Robbery When Nothing is Worth Taking?
    © the artist. Image credit: Bristol Museums, Galleries & Archives

  • In Course of Arrangement

    In Course of Arrangement 2005
    Peter Saville (b.1955) and Anna Blessmann (b.1969)
    Etched & colour infilled satin clear acrylic plastic
    H 10.3 x W 15.1 x D 5.2 cm
    Government Art Collection
    In Course of Arrangement
    © the artists. Image credit: Peter Abrahams, courtesy Paul Stolper Gallery, London 2019

  • Afterlight

    Afterlight 2017
    Martin Reilly (b.1958) and Gavin Clark (1969–2015)
    Honister slate
    H 60 x W 30.8 x D 8.2 cm
    Corbenic Poetry Path
    Afterlight
    © Gavin Clark & Corbenic Poetry Path. Image credit: Corbenic Poetry Path

  • The Great Debate Plinth

    The Great Debate Plinth 2010
    Alec Peever (b.1954)
    Limestone (?)
    H 121 x W 42.5 x D 43 cm
    Oxford University Museum of Natural History
    The Great Debate Plinth
    © the artist. Image credit: Oxford University Museum of Natural History

  • *Stone Monolith

    Woodkirk Stone Monolith 2008–2009
    Teucer Wilson (b.1968)
    Stone
    H 173 x W 72 x D 44 cm
    Norfolk and Norwich University Hospital
    Woodkirk Stone Monolith
    © the artist. Image credit: Norfolk and Norwich University Hospital

  • Altrincham Totem

    Altrincham Totem 2016 or before
    Chris Brammall (b.1973)
    Lacquered steel
    H 396 cm
    Altrincham Totem
    © the artist. Image credit: Martin Henderson / Art UK

  • Suncycle

    Suncycle 1968
    Kenelm Cox (1927–1968)
    Brass & motor
    H 46 x W 5 x D 1 cm
    Arts Council Collection, Southbank Centre
    Suncycle
    © the copyright holder. Image credit: Arts Council Collection, Southbank Centre, London

  • Faded Wallpaper

    Faded Wallpaper c.1988
    Tina Keane (b.1940)
    Neon
    H 18 x W 85 cm
    Government Art Collection
    Faded Wallpaper
    © the artist. Image credit: Government Art Collection

  • Hope 2017
    Geza Sallai (b.1967)
    Cast bronze & stainless steel
    H 147 x W 84 x D 10 cm
    Corbenic Poetry Path
    Hope
    © Corbenic Poetry Path. Image credit: Corbenic Poetry Path

  • Peace 2017
    Margaret Preston (b.1958)
    Acrylic, metal, wood, LEDs, spent rifle cartridges & blackboard paint
    H 212 x W 49.4 x D 51 cm
    Royal Scottish Academy of Art & Architecture
    Peace
    © the artist. Image credit: Royal Scottish Academy of Art & Architecture