This initially traditional society, set up with a membership of seven painters and five sculptors, created in 1919, changed after Ben Nicholson was invited to join the group in 1924. He drove it to become the leading force in British modernist art and brought along into the society many leading artists of the day. Its final act was the first all abstract exhibition in 1935 at the Zwemmer Gallery in London. Founder-member Ivon Hitchens, who stayed with the society right throughout its history, transformed his art during this period under its influence. Developed in association with Grant Waters, Art Detective Group Leader: South East England, East England and the Midlands.

22 artworks
  • Ivon Hitchens (1893–1979)

    Autumn Composition, Flowers on a Table 1932
    Ivon Hitchens (1893–1979)
    Oil on canvas
    H 78.1 x W 111.1 cm
    Tate
    Autumn Composition, Flowers on a Table
    © the artist's estate. Image credit: Tate

  • Ben Nicholson (1894–1982)

    1934 (relief) 1934
    Ben Nicholson (1894–1982)
    Oil & coloured card on card
    H 8 x W 8 cm
    Kettle's Yard, University of Cambridge
    1934 (relief)
    © 2026 All rights reserved, DACS. Image credit: Kettle's Yard, University of Cambridge

  • Barbara Hepworth (1903–1975)

    Three Forms 1935
    Barbara Hepworth (1903–1975)
    Serravezza marble on marble base
    H 21 x W 53.2 x D 34.3 cm
    Tate
    Three Forms
    © Bowness. Image credit: Tate

  • John Skeaping (1901–1980)

    Buffalo 1930
    John Rattenbury Skeaping (1901–1980)
    Lapis lazuli stone on marble base
    H 10 x W 18 x D 11 cm
    Tate

  • Henry Moore (1898–1986)

    Composition 1933
    Henry Moore (1898–1986)
    Concrete
    H 59 x W 42.5 cm
    British Council Collection

  • John Piper (1903–1992)

    Abstract II 1935
    John Piper (1903–1992)
    Oil on canvas on panel
    H 29.5 x W 39.7 cm
    Arts Council Collection, Southbank Centre
    Abstract II
    © the Piper Estate /2026 DACS. Image credit: Arts Council Collection, Southbank Centre, London

  • Arthur Jackson (1911–2003)

    Painting 1937
    Arthur Jackson (1911–2003)
    Oil and pencil on canvas board
    H 25.4 x W 35.6 cm
    Tate
    Painting
    © the artist's estate. Image credit: Tate

  • Maurice Lambert (1901–1964)

    Birds in Flight 1921–1930
    Maurice Lambert (1901–1964)
    Marble & brass (?)
    H 52.6 x W 43.8 x D 30.5 cm
    Manchester Art Gallery
    Birds in Flight
    © the copyright holder. Image credit: Manchester Art Gallery

  • Leon Underwood (1890–1975)

    Herald of New Day 1932–1933
    Leon Underwood (1890–1975)
    Plaster on mahogany base
    H 64.7 x W 29.2 x D 31.7 cm
    Tate

  • William Staite Murray (1881–1962)

    Action and Inaction 1933–1936
    William Staite Murray (1881–1962)
    Oil & graphite on linen on board
    H 89 x W 70.8 cm
    York Museums Trust
    Action and Inaction
    © the artist's estate. Image credit: York Museums Trust

  • David Jones (1895–1974)

    Walled Garden 1930–1932
    David Jones (1895–1974)
    Oil on board
    H 50.8 x W 61 cm
    Yale Center for British Art

  • Winifred Nicholson (1893–1981)

    Crystals 1930
    Winifred Nicholson (1893–1981)
    Oil on canvas
    H 51 x W 51 cm
    Leicester Museums and Galleries
    Crystals
    © Trustees of Winifred Nicholson. Image credit: Leicester Museums and Galleries

  • Christopher Wood (1901–1930)

    Landscape, Vence 1927
    Christopher Wood (1901–1930)
    Oil on canvas
    H 53.9 x W 65.4 cm
    Bristol Museums, Galleries & Archives
    Landscape, Vence
    Image credit: Bristol Museums, Galleries & Archives

  • Frances Hodgkins (1869–1947)

    Wings over Water 1930
    Frances Hodgkins (1869–1947)
    Oil on canvas
    H 71.1 x W 91.4 cm
    Tate
    Wings over Water
    Image credit: Tate

  • Jessica Dismorr (1885–1939)

    Jessica Dismorr c.1929
    Jessica Dismorr (1885–1939)
    Oil on gesso board
    H 60.9 x W 48.4 cm
    National Portrait Gallery, London
    Jessica Dismorr
    Image credit: National Portrait Gallery, London

  • Mary Potter (1900–1981)

    The Swans c.1930
    Mary Potter (1900–1981)
    Oil on canvas
    H 85.8 x W 70.1 cm
    Williamson Art Gallery & Museum
    The Swans
    © estate of Mary Potter. All rights reserved, 2026 DACS. Image credit: Williamson Art Gallery & Museum

  • Cedric Morris (1889–1982)

    Llanmadoc Hill, Gower 1928
    Cedric Lockwood Morris (1889–1982)
    Oil on canvas
    H 66.2 x W 81 cm
    Glynn Vivian Art Gallery
    Llanmadoc Hill, Gower
    © trustees of the Cedric Lockwood Morris Estate/Foundation / Bridgeman Images. Image credit: City & County of Swansea: Glynn Vivian Art Gallery Collection

  • John Aldridge (1905–1983)

    The Valley c.1933
    John Arthur Malcolm Aldridge (1905–1983)
    Oil on board
    H 57 x W 75.5 cm
    Dudley Museums Service
    The Valley
    © the artist's estate / Bridgeman Images. Image credit: Dudley Museums Service

  • Edward Bawden (1903–1989)

    Abstract Design – 'Signature Magazine' 1937
    Edward Bawden (1903–1989)
    Copper engraving on paper
    H 20.2 x W 11.8 cm
    Fry Art Gallery
    Abstract Design – 'Signature Magazine'
    © the estate of Edward Bawden. Image credit: Fry Art Gallery

  • Percy Hague Jowett (1882–1955)

    A Yorkshire Farm c.1925
    Percy Hague Jowett (1882–1955)
    Oil on canvas
    H 50.8 x W 61 cm
    The Stanley & Audrey Burton Gallery, University of Leeds
    A Yorkshire Farm
    Image credit: The Stanley & Audrey Burton Gallery, University of Leeds

  • Cecil Stephenson (1889–1965)

    Scrolls I 1933
    Cecil Stephenson (1889–1965)
    Oil on canvas
    H 63.5 x W 101.4 cm
    Manchester Art Gallery
    Scrolls I
    © the artist's estate. Image credit: Manchester Art Gallery

  • Edward Wolfe (1897–1982)

    Landscape 1932
    Edward Wolfe (1897–1982)
    Oil on canvas
    H 119.4 x W 73.6 cm
    Lakeland Arts
    Landscape
    © The Estate of Edward Wolfe. All Rights Reserved, 2026 DACS. Image credit: Lakeland Arts