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‘When I am painting I am not much aware of what is taking place’, Pollock said in 1947. By dripping and pouring paint, he was able to work in a free and intuitive way, his thoughts and feelings finding direct expression in the rhythmic patterns he created. Pollock began this painting by pouring black paint onto the canvas, over which he added areas of yellow and crimson with a brush. He then lifted the canvas upright while the paint was still wet, allowing it to sag and run.
Oil on canvas
143.5 x 185.4 cm
Presented by the Friends of the Tate Gallery (purchased out of funds provided by Mr and Mrs H.J. Heinz II and H.J. Heinz Co. Ltd) 1961
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