- Artist: Angelica Kauffmann (1741–1807) Remove
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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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A Lady with a Dagger Angelica Kauffmann (1741–1807) (after)A Lady with a Dagger Wigan Arts and Heritage Service
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A Man, Possibly David Harvey c.1780 Angelica Kauffmann (1741–1807)A Man, Possibly David Harvey c.1780 Yale Center for British Art
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A Nymph Drawing Her Bow on a Youth c.1780 Angelica Kauffmann (1741–1807)A Nymph Drawing Her Bow on a Youth c.1780 Victoria and Albert Museum
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A Nymph and a Cupid late 18th C Angelica Kauffmann (1741–1807) (style of)A Nymph and a Cupid late 18th C Lady Lever Art Gallery
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A Scene from the Story of Rhodope and King Psammetichus of Egypt 1780 Angelica Kauffmann (1741–1807)A Scene from the Story of Rhodope and King Psammetichus of Egypt 1780 Royal Academy of Arts
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A Sleeping Nymph Watched by a Shepherd c.1780 Angelica Kauffmann (1741–1807)A Sleeping Nymph Watched by a Shepherd c.1780 Victoria and Albert Museum
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A Woman in Neapolitan Dress c.1762–1764 Angelica Kauffmann (1741–1807)A Woman in Neapolitan Dress c.1762–1764 National Trust, Saltram
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Alasdair Ranaldson MacDonell (1771–1828), 15th Chief of Glengarry c.1790 Angelica Kauffmann (1741–1807)Alasdair Ranaldson MacDonell (1771–1828), 15th Chief of Glengarry c.1790 Museum of the Isles
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Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland 1774 Angelica Kauffmann (1741–1807)Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland 1774 National Galleries of Scotland: Portrait
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An Ideal Portrait of William Shakespeare (1564–1616) Angelica Kauffmann (1741–1807)An Ideal Portrait of William Shakespeare (1564–1616) Royal Shakespeare Theatre
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Andromache Mourning for Hector (Andromache Fainting at the Unexpected Sight of Aeneas upon His Arrival in Epirus) 1775 Angelica Kauffmann (1741–1807)Andromache Mourning for Hector (Andromache Fainting at the Unexpected Sight of Aeneas upon His Arrival in Epirus) 1775 Harris Museum & Art Gallery
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Angelica Kauffman c.1770–1775 Angelica Kauffmann (1741–1807)Angelica Kauffman c.1770–1775 National Portrait Gallery, London
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Anna Maria Jenkins; Thomas Jenkins 1790 Angelica Kauffmann (1741–1807)Anna Maria Jenkins; Thomas Jenkins 1790 National Portrait Gallery, London
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Archbishop Richard Robinson (1708–1794) c.1765 Angelica Kauffmann (1741–1807) or Joshua Reynolds (1723–1792)Archbishop Richard Robinson (1708–1794) c.1765 Armagh Robinson Library
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Archibald, Lord Montgomerie (1773–1814) 1800 Angelica Kauffmann (1741–1807)Archibald, Lord Montgomerie (1773–1814) 1800 The Black Watch Castle & Museum
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Armida in Vain Endeavours with Her Entreaties to Prevent Rinaldo's Departure c.1776 Angelica Kauffmann (1741–1807)Armida in Vain Endeavours with Her Entreaties to Prevent Rinaldo's Departure c.1776 English Heritage, Kenwood
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Arts Personified c.1785 Francesco Bartolozzi (1727/1728–1815) and Angelica Kauffmann (1741–1807) (after)Arts Personified c.1785 The Fan Museum
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Bacchus and Ariadne 1794 Angelica Kauffmann (1741–1807)Bacchus and Ariadne 1794 National Trust, Attingham Park
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Beauty Tempted by Love, Counselled by Prudence Angelica Kauffmann (1741–1807)Beauty Tempted by Love, Counselled by Prudence The Box, Plymouth
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Beauty Yielded to Love, Quitted by Prudence Angelica Kauffmann (1741–1807)Beauty Yielded to Love, Quitted by Prudence The Box, Plymouth
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Before the Altar 1770 Angelica Kauffmann (1741–1807)Before the Altar 1770 Harris Museum & Art Gallery
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Captain Thomas Read (1762–1837), 1st Guards Regiment 1790 Angelica Kauffmann (1741–1807)Captain Thomas Read (1762–1837), 1st Guards Regiment 1790 Victoria and Albert Museum
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Classical Figures 1770s Angelica Kauffmann (1741–1807)Classical Figures 1770s Victoria and Albert Museum
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Colour 1778–1780 Angelica Kauffmann (1741–1807)Colour 1778–1780 Royal Academy of Arts
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Composition 1778–1780 Angelica Kauffmann (1741–1807)Composition 1778–1780 Royal Academy of Arts
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Cupid Bound by the Graces c.1776 Angelica Kauffmann (1741–1807) (after)Cupid Bound by the Graces c.1776 English Heritage, Kenwood
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Cupid Disarmed late 18th C Angelica Kauffmann (1741–1807) (style of)Cupid Disarmed late 18th C Lady Lever Art Gallery
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Design 1778–1780 Angelica Kauffmann (1741–1807)Design 1778–1780 Royal Academy of Arts
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Diomed and Cressida 1789 Angelica Kauffmann (1741–1807)Diomed and Cressida 1789 National Trust, Petworth House
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Edmund Bastard (1758–1816), as a Boy c.1766 Angelica Kauffmann (1741–1807)Edmund Bastard (1758–1816), as a Boy c.1766 National Trust, Saltram
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Elizabeth Bateson (née Harvey) c.1770 Angelica Kauffmann (1741–1807)Elizabeth Bateson (née Harvey) c.1770 Yale Center for British Art
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Ellis Cornelia Knight 1793 Angelica Kauffmann (1741–1807)Ellis Cornelia Knight 1793 Manchester Art Gallery
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Emma Hart (1761–1815), Lady Hamilton 1796 Angelica Kauffmann (1741–1807)Emma Hart (1761–1815), Lady Hamilton 1796 Victoria and Albert Museum
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Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart 1793 Angelica Kauffmann (1741–1807)Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart 1793 National Trust, Attingham Park
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Farewell of Hector and Andromache Angelica Kauffmann (1741–1807) (circle of)Farewell of Hector and Andromache Wolverhampton Art Gallery
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Figure Study Angelica Kauffmann (1741–1807)Figure Study Newport Museum and Art Gallery
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Flora Angelica Kauffmann (1741–1807)Flora UCL Art Museum
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Frances Ann Acland (1735/1736–1800), Lady Hoare c.1773 Angelica Kauffmann (1741–1807)Frances Ann Acland (1735/1736–1800), Lady Hoare c.1773 National Trust, Stourhead
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Gualtherius and Griselda c.1772 Angelica Kauffmann (1741–1807)Gualtherius and Griselda c.1772 English Heritage, Kenwood
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Hector Taking Leave of Andromache 1768 Angelica Kauffmann (1741–1807)Hector Taking Leave of Andromache 1768 National Trust, Saltram