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Angelica Kauffmann

1741–1807

(Born Chur, 30 October 1741; died Rome, 5 November 1807). Swiss painter, active mainly in Italy and England. From an early age she travelled with her father, the painter Joseph Johann Kauffmann (1707–82), in Switzerland and Italy, and she formed her style in Rome.

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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)

Showing 86 artworks

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Archbishop Richard Robinson (1708–1794) c.1765 Angelica Kauffmann (1741–1807) or Joshua Reynolds (1723–1792)

Archbishop Richard Robinson (1708–1794) c.1765 Armagh Robinson Library
A Nymph Drawing Her Bow on a Youth c.1780 Angelica Kauffmann (1741–1807)

A Nymph Drawing Her Bow on a Youth c.1780 Victoria and Albert Museum
Princess Augusta Charlotte (1737–1813), Eldest Sister of George III, with Her Infant Son late 18th C Angelica Kauffmann (1741–1807) (after)

Princess Augusta Charlotte (1737–1813), Eldest Sister of George III, with Her Infant Son late 18th C Victoria and Albert Museum
A Woman in Neapolitan Dress c.1762–1764 Angelica Kauffmann (1741–1807)

A Woman in Neapolitan Dress c.1762–1764 National Trust, Saltram
Lady Frances Greville (1744–1825), Lady Harpur Angelica Kauffmann (1741–1807) (after)

Lady Frances Greville (1744–1825), Lady Harpur National Trust, Calke Abbey
Flora Angelica Kauffmann (1741–1807)

Flora UCL Art Museum
Penelope Mourning over the Bow of Odysseus Angelica Kauffmann (1741–1807) (after)

Penelope Mourning over the Bow of Odysseus Dumfries House
Gualtherius and Griselda c.1772 Angelica Kauffmann (1741–1807)

Gualtherius and Griselda c.1772 English Heritage, Kenwood
Hector Taking Leave of Andromache 1768 Angelica Kauffmann (1741–1807)

Hector Taking Leave of Andromache 1768 National Trust, Saltram
Lady Frances Greville (1744–1825), Lady Harpur 1767 Angelica Kauffmann (1741–1807)

Lady Frances Greville (1744–1825), Lady Harpur 1767 National Trust, Calke Abbey
Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General 1770 Angelica Kauffmann (1741–1807)

Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General 1770 National Trust, Saltram
Diomed and Cressida 1789 Angelica Kauffmann (1741–1807)

Diomed and Cressida 1789 National Trust, Petworth House
Penelope at Her Loom 1764 Angelica Kauffmann (1741–1807)

Penelope at Her Loom 1764 Brighton & Hove Museums
Ellis Cornelia Knight 1793 Angelica Kauffmann (1741–1807)

Ellis Cornelia Knight 1793 Manchester Art Gallery
Maria Angelica Kauffmann (1741–1807) (after)

Maria Nottingham City Museums & Galleries
John Simpson c.1777 Angelica Kauffmann (1741–1807)

John Simpson c.1777 National Portrait Gallery, London
Henrietta Laura Pulteney (1766–1808) c.1777 Angelica Kauffmann (1741–1807)

Henrietta Laura Pulteney (1766–1808) c.1777 The Holburne Museum
Self Portrait Angelica Kauffmann (1741–1807) (after)

Self Portrait Newnham College, University of Cambridge
Figure Study Angelica Kauffmann (1741–1807)

Figure Study Newport Museum and Art Gallery
A Nymph and a Cupid late 18th C Angelica Kauffmann (1741–1807) (style of)

A Nymph and a Cupid late 18th C Lady Lever Art Gallery
Cupid Disarmed late 18th C Angelica Kauffmann (1741–1807) (style of)

Cupid Disarmed late 18th C Lady Lever Art Gallery
Mary Walsh, Mrs Ralph Clavering c.1780 Angelica Kauffmann (1741–1807)

Mary Walsh, Mrs Ralph Clavering c.1780 National Trust, Oxburgh Hall
Venus Directing Aeneas and Achates to Carthage 1768 Angelica Kauffmann (1741–1807)

Venus Directing Aeneas and Achates to Carthage 1768 National Trust, Saltram
An Ideal Portrait of William Shakespeare (1564–1616) Angelica Kauffmann (1741–1807)

An Ideal Portrait of William Shakespeare (1564–1616) Royal Shakespeare Theatre
Rinaldo and Armida 1771 Angelica Kauffmann (1741–1807)

Rinaldo and Armida 1771 Yale Center for British Art
Portrait of an Unknown Gentleman in Black Seated in Front of a Rock, Holding a Sheet of Paper Angelica Kauffmann (1741–1807) (circle of)

Portrait of an Unknown Gentleman in Black Seated in Front of a Rock, Holding a Sheet of Paper National Trust, Hartwell House
Ulysses Discovering Achilles 1769 Angelica Kauffmann (1741–1807)

Ulysses Discovering Achilles 1769 National Trust, Saltram
Edmund Bastard (1758–1816), as a Boy c.1766 Angelica Kauffmann (1741–1807)

Edmund Bastard (1758–1816), as a Boy c.1766 National Trust, Saltram
Archibald, Lord Montgomerie (1773–1814) 1800 Angelica Kauffmann (1741–1807)

Archibald, Lord Montgomerie (1773–1814) 1800 The Black Watch Castle & Museum
Beauty Tempted by Love, Counselled by Prudence Angelica Kauffmann (1741–1807)

Beauty Tempted by Love, Counselled by Prudence The Box, Plymouth
Self Portrait 1787 Angelica Kauffmann (1741–1807)

Self Portrait 1787 National Trust, Hatchlands
Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart 1793 Angelica Kauffmann (1741–1807)

Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart 1793 National Trust, Attingham Park
Hector Taking Leave of Andromache Angelica Kauffmann (1741–1807) (manner of)

Hector Taking Leave of Andromache Tate
Modesty c.1770 Angelica Kauffmann (1741–1807)

Modesty c.1770 Abbot Hall
Rinaldo and Armida c.1772 Angelica Kauffmann (1741–1807)

Rinaldo and Armida c.1772 English Heritage, Kenwood
Anna Maria Jenkins; Thomas Jenkins 1790 Angelica Kauffmann (1741–1807)

Anna Maria Jenkins; Thomas Jenkins 1790 National Portrait Gallery, London
Captain Thomas Read (1762–1837), 1st Guards Regiment 1790 Angelica Kauffmann (1741–1807)

Captain Thomas Read (1762–1837), 1st Guards Regiment 1790 Victoria and Albert Museum
A Sleeping Nymph Watched by a Shepherd c.1780 Angelica Kauffmann (1741–1807)

A Sleeping Nymph Watched by a Shepherd c.1780 Victoria and Albert Museum
Sketch for 'The Two Gentlemen of Verona' 1788 Angelica Kauffmann (1741–1807)

Sketch for 'The Two Gentlemen of Verona' 1788 Victoria and Albert Museum
A Lady with a Dagger Angelica Kauffmann (1741–1807) (after)

A Lady with a Dagger Wigan Arts and Heritage Service