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Gustavus Hamilton (1710–1746), 2nd Viscount Boyne 1730–1731 Rosalba Giovanna Carriera (1673–1757)Gustavus Hamilton (1710–1746), 2nd Viscount Boyne 1730–1731 The Barber Institute of Fine Arts
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Self Portrait c.1764 Angelica Kauffmann (1741–1807)Self Portrait c.1764 National Trust, Saltram
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Self Portrait c.1764 Angelica Kauffmann (1741–1807) (after)Self Portrait c.1764 National Trust, Mompesson House
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Archbishop Richard Robinson (1708–1794) c.1765 Angelica Kauffmann (1741–1807) or Joshua Reynolds (1723–1792)Archbishop Richard Robinson (1708–1794) c.1765 Armagh Robinson Library
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Sir William Fordyce (1724–1792), MD, FRS 1761–1781 Angelica Kauffmann (1741–1807)Sir William Fordyce (1724–1792), MD, FRS 1761–1781 University of Aberdeen
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Edmund Bastard (1758–1816), as a Boy c.1766 Angelica Kauffmann (1741–1807)Edmund Bastard (1758–1816), as a Boy c.1766 National Trust, Saltram
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A Woman in Neapolitan Dress c.1762–1764 Angelica Kauffmann (1741–1807)A Woman in Neapolitan Dress c.1762–1764 National Trust, Saltram
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John Parker (1734/1735–1788), Later 1st Baron Boringdon 1764 Angelica Kauffmann (1741–1807)John Parker (1734/1735–1788), Later 1st Baron Boringdon 1764 National Trust, Saltram
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Penelope at Her Loom 1764 Angelica Kauffmann (1741–1807)Penelope at Her Loom 1764 Brighton & Hove Museums
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Interview of Edgar and Elfrida, after Her Marriage to Athelwold c.1770/1771 Angelica Kauffmann (1741–1807)Interview of Edgar and Elfrida, after Her Marriage to Athelwold c.1770/1771 National Trust, Saltram
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Angelica Kauffman c.1770–1775 Angelica Kauffmann (1741–1807)Angelica Kauffman c.1770–1775 National Portrait Gallery, London
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Elizabeth Bateson (née Harvey) c.1770 Angelica Kauffmann (1741–1807)Elizabeth Bateson (née Harvey) c.1770 Yale Center for British Art
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Modesty c.1770 Angelica Kauffmann (1741–1807)Modesty c.1770 Abbot Hall
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Lady Frances Greville (1744–1825), Lady Harpur 1767 Angelica Kauffmann (1741–1807)Lady Frances Greville (1744–1825), Lady Harpur 1767 National Trust, Calke Abbey
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Gualtherius and Griselda c.1772 Angelica Kauffmann (1741–1807)Gualtherius and Griselda c.1772 English Heritage, Kenwood
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Sir Joshua Reynolds (1723–1792), PRA 1767 Angelica Kauffmann (1741–1807)Sir Joshua Reynolds (1723–1792), PRA 1767 National Trust, Saltram
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Jane Maxwell (c.1749–1812), Duchess of Gordon, Wife of the 4th Duke of Gordon c.1772 Angelica Kauffmann (1741–1807)Jane Maxwell (c.1749–1812), Duchess of Gordon, Wife of the 4th Duke of Gordon c.1772 National Galleries of Scotland: Portrait
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Rinaldo and Armida c.1772 Angelica Kauffmann (1741–1807)Rinaldo and Armida c.1772 English Heritage, Kenwood
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Angelica Kauffmann (1741–1807), RA c.1773 Daniel Gardner (1750–1805)Angelica Kauffmann (1741–1807), RA c.1773 Government Art Collection
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Hector Taking Leave of Andromache 1768 Angelica Kauffmann (1741–1807)Hector Taking Leave of Andromache 1768 National Trust, Saltram
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Frances Ann Acland (1735/1736–1800), Lady Hoare c.1773 Angelica Kauffmann (1741–1807)Frances Ann Acland (1735/1736–1800), Lady Hoare c.1773 National Trust, Stourhead
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Penelope Taking Down the Bow of Ulysses 1768 Angelica Kauffmann (1741–1807)Penelope Taking Down the Bow of Ulysses 1768 National Trust, Saltram
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Venus Directing Aeneas and Achates to Carthage 1768 Angelica Kauffmann (1741–1807)Venus Directing Aeneas and Achates to Carthage 1768 National Trust, Saltram
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Princess Augusta Charlotte (1737–1813), Eldest Sister of George III, with Her Infant Son late 18th C Angelica Kauffmann (1741–1807) (after)Princess Augusta Charlotte (1737–1813), Eldest Sister of George III, with Her Infant Son late 18th C Victoria and Albert Museum
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A Nymph and a Cupid late 18th C Angelica Kauffmann (1741–1807) (style of)A Nymph and a Cupid late 18th C Lady Lever Art Gallery
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Cupid Disarmed late 18th C Angelica Kauffmann (1741–1807) (style of)Cupid Disarmed late 18th C Lady Lever Art Gallery
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Ulysses Discovering Achilles 1769 Angelica Kauffmann (1741–1807)Ulysses Discovering Achilles 1769 National Trust, Saltram
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Portrait of a Lady c.1775 Angelica Kauffmann (1741–1807)Portrait of a Lady c.1775 Tate Britain
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Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General 1770 Angelica Kauffmann (1741–1807)Vortigern, King of Britain, Enamoured with Rowena at the Banquet of Hengist, the Saxon General 1770 National Trust, Saltram
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Classical Figures 1770s Angelica Kauffmann (1741–1807)Classical Figures 1770s Victoria and Albert Museum
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Before the Altar 1770 Angelica Kauffmann (1741–1807)Before the Altar 1770 Harris Museum & Art Gallery
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Study after the 'Aldobrandini Wedding' 1770 Angelica Kauffmann (1741–1807)Study after the 'Aldobrandini Wedding' 1770 Harris Museum & Art Gallery
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Cupid Bound by the Graces c.1776 Angelica Kauffmann (1741–1807) (after)Cupid Bound by the Graces c.1776 English Heritage, Kenwood
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Armida in Vain Endeavours with Her Entreaties to Prevent Rinaldo's Departure c.1776 Angelica Kauffmann (1741–1807)Armida in Vain Endeavours with Her Entreaties to Prevent Rinaldo's Departure c.1776 English Heritage, Kenwood
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Rinaldo and Armida 1771 Angelica Kauffmann (1741–1807)Rinaldo and Armida 1771 Yale Center for British Art
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Female Nude, after a Figure from Michelangelo's 'Last Judgement' 1772 James Nevay (c.1730–1811)Female Nude, after a Figure from Michelangelo's 'Last Judgement' 1772 Royal Academy of Arts
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Henrietta Laura Pulteney (1766–1808) c.1777 Angelica Kauffmann (1741–1807)Henrietta Laura Pulteney (1766–1808) c.1777 The Holburne Museum
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John Simpson c.1777 Angelica Kauffmann (1741–1807)John Simpson c.1777 National Portrait Gallery, London
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Penelope Weeping over the Bow of Ulysses 1779 or before Angelica Kauffmann (1741–1807)Penelope Weeping over the Bow of Ulysses 1779 or before Wolverhampton Art Gallery
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Penelope Sacrificing to Minerva for the Safe Return of Her Son, Telemachus 1774 Angelica Kauffmann (1741–1807)Penelope Sacrificing to Minerva for the Safe Return of Her Son, Telemachus 1774 National Trust, Stourhead
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Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland 1774 Angelica Kauffmann (1741–1807)Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland 1774 National Galleries of Scotland: Portrait
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A Sleeping Nymph Watched by a Shepherd c.1780 Angelica Kauffmann (1741–1807)A Sleeping Nymph Watched by a Shepherd c.1780 Victoria and Albert Museum
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Andromache Mourning for Hector (Andromache Fainting at the Unexpected Sight of Aeneas upon His Arrival in Epirus) 1775 Angelica Kauffmann (1741–1807)Andromache Mourning for Hector (Andromache Fainting at the Unexpected Sight of Aeneas upon His Arrival in Epirus) 1775 Harris Museum & Art Gallery
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A Nymph Drawing Her Bow on a Youth c.1780 Angelica Kauffmann (1741–1807)A Nymph Drawing Her Bow on a Youth c.1780 Victoria and Albert Museum
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A Man, Possibly David Harvey c.1780 Angelica Kauffmann (1741–1807)A Man, Possibly David Harvey c.1780 Yale Center for British Art
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Susanna, Lady Cullum c.1780 Angelica Kauffmann (1741–1807)Susanna, Lady Cullum c.1780 West Suffolk Heritage Service
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Lady in a Turkish Dress 1775 William Wynne Ryland (1732 or 1738–1783)Lady in a Turkish Dress 1775 Royal Academy of Arts
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Mary Walsh, Mrs Ralph Clavering c.1780 Angelica Kauffmann (1741–1807)Mary Walsh, Mrs Ralph Clavering c.1780 National Trust, Oxburgh Hall
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Angelica Kauffman (1740–1807) after 1777 Joshua Reynolds (1723–1792) (after)Angelica Kauffman (1740–1807) after 1777 Lady Lever Art Gallery
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Reverend Sir John Cullum (1733–1785), 6th Bt 1778 Angelica Kauffmann (1741–1807)Reverend Sir John Cullum (1733–1785), 6th Bt 1778 West Suffolk Heritage Service
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Composition 1778–1780 Angelica Kauffmann (1741–1807)Composition 1778–1780 Royal Academy of Arts
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Invention 1778–1780 Angelica Kauffmann (1741–1807)Invention 1778–1780 Royal Academy of Arts
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Colour 1778–1780 Angelica Kauffmann (1741–1807)Colour 1778–1780 Royal Academy of Arts
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Design 1778–1780 Angelica Kauffmann (1741–1807)Design 1778–1780 Royal Academy of Arts
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Portraits in the Characters of the Muses in the Temple of Apollo 1778 Richard Samuel (d.1787)Portraits in the Characters of the Muses in the Temple of Apollo 1778 National Portrait Gallery, London
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Maria of Moulines 1779 or later Angelica Kauffmann (1741–1807) (after)Maria of Moulines 1779 or later Bolling Hall
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A Scene from the Story of Rhodope and King Psammetichus of Egypt 1780 Angelica Kauffmann (1741–1807)A Scene from the Story of Rhodope and King Psammetichus of Egypt 1780 Royal Academy of Arts
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Arts Personified c.1785 Francesco Bartolozzi (1727/1728–1815) and Angelica Kauffmann (1741–1807) (after)Arts Personified c.1785 The Fan Museum
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The Artist in the Character of Design Listening to the Inspiration of Poetry 1782 Angelica Kauffmann (1741–1807)The Artist in the Character of Design Listening to the Inspiration of Poetry 1782 English Heritage, Kenwood
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The Death of Héloïse 1782–1786 Samuel Wale (1721–1786)The Death of Héloïse 1782–1786 National Trust, Stourhead
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Self Portrait Personifying Painting 1783 Heinrich Sintzenich (1752–1812)Self Portrait Personifying Painting 1783 Royal Academy of Arts
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The Three Fine Arts 1783 Francesco Bartolozzi (1727/1728–1815)The Three Fine Arts 1783 Royal Academy of Arts
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Alasdair Ranaldson MacDonell (1771–1828), 15th Chief of Glengarry c.1790 Angelica Kauffmann (1741–1807)Alasdair Ranaldson MacDonell (1771–1828), 15th Chief of Glengarry c.1790 Museum of the Isles
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Sir James Hall of Dunglass (1761–1832), Geologist 1785 Angelica Kauffmann (1741–1807)Sir James Hall of Dunglass (1761–1832), Geologist 1785 National Galleries of Scotland: Portrait
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Lady Elizabeth Christiana Hervey (1759–1824), Lady Elizabeth Foster, Later Duchess of Devonshire 1786 Angelica Kauffmann (1741–1807)Lady Elizabeth Christiana Hervey (1759–1824), Lady Elizabeth Foster, Later Duchess of Devonshire 1786 National Trust, Ickworth
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Self Portrait 1787 Angelica Kauffmann (1741–1807)Self Portrait 1787 National Trust, Hatchlands
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Sketch for 'The Two Gentlemen of Verona' 1788 Angelica Kauffmann (1741–1807)Sketch for 'The Two Gentlemen of Verona' 1788 Victoria and Albert Museum
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A Female Figure Representing Hope c.1794 Thomas Holloway (1748–1827) (associated with)A Female Figure Representing Hope c.1794 Wellcome Collection
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Diomed and Cressida 1789 Angelica Kauffmann (1741–1807)Diomed and Cressida 1789 National Trust, Petworth House
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Captain Thomas Read (1762–1837), 1st Guards Regiment 1790 Angelica Kauffmann (1741–1807)Captain Thomas Read (1762–1837), 1st Guards Regiment 1790 Victoria and Albert Museum
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Anna Maria Jenkins; Thomas Jenkins 1790 Angelica Kauffmann (1741–1807)Anna Maria Jenkins; Thomas Jenkins 1790 National Portrait Gallery, London
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Anne Damer (1748–1828) 1792 Thomas Ryder (1746–1810)Anne Damer (1748–1828) 1792 Royal Academy of Arts
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Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham 1793 Angelica Kauffmann (1741–1807)Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham 1793 National Trust, Attingham Park
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Ellis Cornelia Knight 1793 Angelica Kauffmann (1741–1807)Ellis Cornelia Knight 1793 Manchester Art Gallery
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Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart 1793 Angelica Kauffmann (1741–1807)Euphrosyne Complaining to Venus of the Wound Caused by Cupid’s Dart 1793 National Trust, Attingham Park
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Self Portrait of the Artist Hesitating between the Arts of Music and Painting 1794 Angelica Kauffmann (1741–1807)Self Portrait of the Artist Hesitating between the Arts of Music and Painting 1794 National Trust, Nostell Priory
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Bacchus and Ariadne 1794 Angelica Kauffmann (1741–1807)Bacchus and Ariadne 1794 National Trust, Attingham Park
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Emma Hart (1761–1815), Lady Hamilton 1796 Angelica Kauffmann (1741–1807)Emma Hart (1761–1815), Lady Hamilton 1796 Victoria and Albert Museum
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Archibald, Lord Montgomerie (1773–1814) 1800 Angelica Kauffmann (1741–1807)Archibald, Lord Montgomerie (1773–1814) 1800 The Black Watch Castle & Museum
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The Graphic Muse 1806 William Blake (1757–1827)The Graphic Muse 1806 Royal Academy of Arts
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Angelica Kauffman is Barred from the Life Room at the RA 2016–2017 Chris Orr (b.1943)Angelica Kauffman is Barred from the Life Room at the RA 2016–2017 Royal Academy of Arts
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A Lady with a Dagger Angelica Kauffmann (1741–1807) (after)A Lady with a Dagger Wigan Arts and Heritage Service
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Michael Novosielski (1750–1795) Angelica Kauffmann (1741–1807)Michael Novosielski (1750–1795) National Galleries of Scotland: National
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Beauty Yielded to Love, Quitted by Prudence Angelica Kauffmann (1741–1807)Beauty Yielded to Love, Quitted by Prudence The Box, Plymouth
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Queen Eleanor Sucking the Poison from Her Husband King Edward I's Wound Biagio Rebecca (1735–1808)Queen Eleanor Sucking the Poison from Her Husband King Edward I's Wound National Trust, Kedleston Hall and Eastern Museum
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Elizabeth Woodville, Later Queen, the Widow of Sir John Grey, Imploring King Edward IV to Restore Her Husband's Lands Biagio Rebecca (1735–1808)Elizabeth Woodville, Later Queen, the Widow of Sir John Grey, Imploring King Edward IV to Restore Her Husband's Lands National Trust, Kedleston Hall and Eastern Museum
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Lady Frances Greville (1744–1825), Lady Harpur Angelica Kauffmann (1741–1807) (after)Lady Frances Greville (1744–1825), Lady Harpur National Trust, Calke Abbey
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Penelope Mourning over the Bow of Odysseus Angelica Kauffmann (1741–1807) (after)Penelope Mourning over the Bow of Odysseus Dumfries House
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Flora Angelica Kauffmann (1741–1807)Flora UCL Art Museum
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Maria Angelica Kauffmann (1741–1807) (after)Maria Nottingham City Museums & Galleries
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Mrs Marriot Angelica Kauffmann (1741–1807)Mrs Marriot Brighton & Hove Museums
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Portrait of a Woman Angelica Kauffmann (1741–1807)Portrait of a Woman Brighton & Hove Museums
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Pan Celebrating the Feast of Bacchus Antonio Zucchi (1726–1796) (attributed to) or Antonio Zucchi (1726–1796) (school of)Pan Celebrating the Feast of Bacchus Royal Society of Arts
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Pan Celebrating the Feast of Bacchus Antonio Zucchi (1726–1796) (attributed to) or Antonio Zucchi (1726–1796) (school of)Pan Celebrating the Feast of Bacchus Royal Society of Arts
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An Ideal Portrait of William Shakespeare (1564–1616) Angelica Kauffmann (1741–1807)An Ideal Portrait of William Shakespeare (1564–1616) Royal Shakespeare Theatre
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Figure Study Angelica Kauffmann (1741–1807)Figure Study Newport Museum and Art Gallery
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Portrait of an Unknown Gentleman in Black Seated in Front of a Rock, Holding a Sheet of Paper Angelica Kauffmann (1741–1807) (circle of)Portrait of an Unknown Gentleman in Black Seated in Front of a Rock, Holding a Sheet of Paper National Trust, Hartwell House
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Hector Taking Leave of Andromache Angelica Kauffmann (1741–1807) (manner of)Hector Taking Leave of Andromache Tate
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Self Portrait Angelica Kauffmann (1741–1807) (after)Self Portrait Newnham College, University of Cambridge
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Beauty Tempted by Love, Counselled by Prudence Angelica Kauffmann (1741–1807)Beauty Tempted by Love, Counselled by Prudence The Box, Plymouth