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Bellotto emancipated himself from the influence of his uncle and former employer, Canaletto, with his own work before being invited to Dresden in 1747. His views of northern Italy, painted on an immense scale, have an individual tonality and texture. He also painted a view of Verona from the opposite direction as a pendant (pair) to this painting.
View of Verona from the Ponte Nuovo
oil on canvas
H 132.5 x W 231 cm
purchased from the Powis family with the assistance of the National Heritage Memorial Fund and the National Art Colections Fund (including the Wolfson Foundation), and grant-in-aid administered by the Victoria and Albert Museum Purchase Grant Fund, 1981