How you can use this image
This image is available to be shared and re-used under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (CC BY-NC-ND).
You can reproduce this image for non-commercial purposes and you are not able to change or modify it in any way.
Wherever you reproduce the image you must attribute the original creators (acknowledge the original artist(s) and the person/organisation that took the photograph of the work) and any other rights holders.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find more images in the public domain or with a Creative Commons licence available.
DownloadNotes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
In this painting, the artist has chosen to paint two of the most famous landmarks in Venice. He shows us the Customs House, or 'Dogana', designed by Benoni in 1682 and the Church of Santa Maria della Salute, which was erected in 1631–1682 by Longhena in commemoration of the cessation of the plague in 1630. The artist visited Venice in 1834 at the age of 22, staying for two months, and he made many careful sketches in pencil and colour which are wonderful for detail, careful finish and picturesque effect. Muller’s finished Venetian pictures were painted in England from these finished sketches. This view is apparently the one the artist saw every morning from his room in the 'Albergo dell’ Europa'. The composition is based on a pyramid, with the bright cloud above Longhena’s dome catching the eye at the apex, and the darker tones in the shipping on the Grand Canal supplying weight to its base.
Title
Venice, the Dogana and the Church of Santa Maria della Salute
Date
1839
Medium
oil on canvas
Measurements
H 75 x W 129 cm
Accession number
0084:1901
Acquisition method
acquired as part of the Wrigley Gift
Work type
Painting