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Notes
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Rachel Whiteread DBE’s new lithograph commissioned for the Government Art Collection revisits the circular motifs the artist first used in a print commission for the London 2012 Summer Olympics, also in the Collection. That work was conceived at a moment of celebration, the circles reminiscent for the artist of the marks left by glasses and cups after a party. It was a work about people coming together. The circles in this new work are by contrast suggestive of the traces of an invisible virus. Whiteread is known for making the invisible visible, and these abstract forms reflect both the microscopic form of Covid-19 itself and a time during the height of the pandemic in this country when physical contact and communication became reduced to those within our ‘bubble’.
Whiteread exploits the medium to enhance the sense of fragility and uncertainty we all experienced during this time. Her print layers different hues of monochrome ink. At certain stages she adds watercolour marks by hand, using it in a similar way to build up incredibly thin washes of colour. Whiteread is interested in how the fabric of our daily existence bears the accumulated traces of previous lives.
Title
Untitled (Bubble)
Date
2022
Medium
lithograph on paper
Measurements
H 70 x W 49 cm
Accession number
19114/1
Acquisition method
commissioned by the Government Art Collection for The Robson Orr TenTen Award 2022, a GAC/Outset Annual Commission
Work type
Signature/marks description
recto: inscribed by the artist '2/30' bottom left / ''R Whiteread', bottom right