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This is closely related to Thomas Girtin's composition known as 'The White House at Chelsea' (Tate Britain). It is more likely, however, to have been copied from one of two prints made after the watercolour: Thomas Lupton's mezzotint, titled 'Chelsea Reach, Looking Towards Battersea', or Samuel William Reynolds' mezzotint which is part of the 'Liber Naturae or A Collection of Prints from Drawings of Thomas Girtin'. Both were published in 1823.
Title
The White House at Chelsea
Date
1800 or later
Medium
oil on canvas
Measurements
H 25 x W 40 cm
Accession number
3764
Work type
Painting