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The title derives from the print made after the composition by Le Bas in 1760. It refers to the French repulse of the British forces at Brest in June 1694. The verses by Charles Moraine, which accompany the print, exhort the belles Vivandières, female camp followers, to feed the needy soldiers. The theme recalls the encampment scenes of Watteau and the military pictures of Dutch seventeenth-century artists such as Wouwermans, which were highly prized by eighteenth-century collectors. Pater, however, invests the scene with his own particular brand of Gallic gallantry executed with a delicate touch and decorative palette.

The Wallace Collection

London

Title

The Vivandières of Brest

Date

c.1731–c.1733

Medium

oil on canvas

Measurements

H 46.7 x W 59.5 cm

Accession number

P452

Acquisition method

acquired by Sir Richard Wallace, 1872; bequeathed to the nation by Lady Wallace, 1897

Work type

Painting

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The Wallace Collection

Hertford House, Manchester Square, London, Greater London W1U 3BN England

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