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The Virgin and Child

Image credit: The National Gallery, London

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During the 1470s and 1480s Bellini produced a series of small-scale images of the Virgin and Child, destined for the homes of his Venetian patrons who used them as aids to private prayer.

The naked Christ lies on a marble parapet, probably intended to recall his dead body in the tomb – a reminder that, according to Christians, in adulthood he redeemed humanity through his death. This detail transforms the picture from a tender image of a mother and child to a religious one.

The painting is covered with an old varnish, probably dating from the nineteenth century, which has now discoloured, giving the whole picture a brown tone. Photomicrographs (very highly magnified images) show Bellini’s fingerprints in the Virgin’s cheek and Christ’s fingers – where he blotted areas of paint by hand, a technique he used in several other works.

The National Gallery, London

London

Title

The Virgin and Child

Date

probably 1480-1500

Medium

Oil and tempera on wood

Measurements

H 78.7 x W 58.4 cm

Accession number

NG3913

Acquisition method

Mond Bequest, 1924

Work type

Painting

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Normally on display at

The National Gallery, London

Trafalgar Square, London, Greater London WC2N 5DN England

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