How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Buy a print or image licence
You can purchase this reproduction
If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
In this chaotic woodland party, men and women dance, drink, play music and behave badly. They gather around a statue of a red-faced satyr with horns, which may represent Pan, god of shepherds and herdsmen, or Priapus, god of gardens. Both deities are linked to the mischievous god of wine, Bacchus. Bacchanalian festivals were held in ancient Roman times to ensure a good harvest, and according to literary descriptions they involved lots of sex and alcohol. The goat, faun and the flower garlands we see here were part of the festivities. These naughty partygoers look like actors on a stage: the musical instruments and masks in the foreground relate to these festivals' dramatic plays. The muscular figures and their flowing drapery convey Poussin’s interest in classical sculpture.
The Triumph of Pan
Oil on canvas
H 135.9 x W 146 cm
Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1982