Art UK has updated its cookies policy. By using this website you are agreeing to the use of cookies. To find out more read our updated Use of Cookies policy and our updated Privacy policy.


How you can use this image


This image is available to be shared and re-used under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (CC BY-NC-ND).

You can reproduce this image for non-commercial purposes and you are not able to change or modify it in any way.

Wherever you reproduce the image you must attribute the original creators (acknowledge the original artist(s) and the person/organisation that took the photograph of the work) and any other rights holders.

Review our guidance pages which explain how you can reuse images, how to credit an image and how to find more images in the public domain or with a Creative Commons licence available.


Buy a print or image licence

You can purchase this reproduction

If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.


Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

'The Toper' (drinker or drunkard) is shown in the costume of an early sixteenth-century knight wearing a gold medallion of Saint George. In the nineteenth century the picture was thought to be by another follower of Rembrandt, Jan Victors, and to depict the imprisoned Arnold, Duke of Guelders (1423–1473. The intensity of the facial characterisation has led more recent viewers to speculate that The Toper may be a self-portrait, although the picture does not resemble Bol’s known Self-Portrait (1653; private collection). 'The Toper' is in fact a typical character-piece in the Rembrandt manner and may be compared with other half-length figures leaning from windows by Rembrandt and Bol. Bol used this type of pose for an elaborate series between 1644 and 1653, and the present picture is generally thought to date from this period, c.

The Wallace Collection





oil on canvas


H 89.2 x W 82.3 cm

Accession number


Acquisition method

acquired by Richard Seymour-Conway, 4th Marquess of Hertford, 1843; bequeathed to the nation by Lady Wallace, 1897

Work type



This artwork does not have any tags yet. You can help by tagging artworks on Tagger.

The Wallace Collection

Hertford House, Manchester Square, London, Greater London W1U 3BN England

This venue is open to the public. Not all artworks are on display. If you want to see a particular artwork, please contact the venue.
View venue