How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
This devotional work is one of the finest masterpieces of Northern European painting. It is also an early example of oil painting. In contrast with the traditional egg-based paint (called ‘tempera’), oil paint enabled artists to depict translucent effects and precise modelling, making figures and objects more lifelike and immediate. The triptych depicts Christ’s burial, moments after he is taken down from the cross. His body is lowered into a stone tomb while four angels carry instruments associated with his suffering. The right wing depicts Christ’s triumphant Resurrection two days later. The triptych was probably commissioned by the anonymous kneeling man depicted on the left wing. The gold background is adorned with raised motifs representing an intricate vine, as wine was a symbol of the blood shed by Christ.
The Courtauld, London (Samuel Courtauld Trust)
London
Title
The Seilern Triptych – The Entombment
Date
c.1425
Medium
unidentified paint surface on panel
Measurements
H 65.2 x W 53.6 cm;
H 64.9 x W 26.8 cm
Accession number
P.1978.PG.253
Acquisition method
Princes Gate bequest, 1978
Work type
Painting