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The pictorial arrangement of the Holy Family with various saints in a landscape was very popular in sixteenth-century Venice, following the prototype of Giovanni Bellini. Here, the subject is rather unusual, as it includes a biblical figure who is nearly always associated with an interior scene. In scripture, Simeon is placed in the temple when the baby Jesus was taken there by his parents as part of the ceremony surrounding Jewish birth.
oil on panel
H 59.1 x W 84.8 cm
bequeathed by Sir Henry Seymour King, 1934