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The First Labours of Adam and Eve

Photo credit: Glasgow Life Museums

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The subject is taken from the Bible (Genesis 3:23). On the left, Adam, the first man, is digging with a spade – 'tilling the ground from whence he came' – after his expulsion from the Garden of Eden. On the right, her back to a tree, Eve, the first woman, sits spinning, with a dog and a young child (presumably their younger son, Abel) at her knee. In the centre, a figure (presumably their elder son, Cain) is gathering sticks to make a fire. In its handling of light and colour, the painting betrays the strong influence of 16th-century Venetian art, especially that of Titian, whose works Cano could have seen in the Spanish royal collection. While the landscape is entirely characteristic of Cano, the figures are taken directly from an engraving (of portrait format) by the Netherlandish artist Jan Saenredam (1565–1607), after a composition by his compatriot Abraham Bloemaert (1564–1651).

Title

The First Labours of Adam and Eve

Date

c.1650/1652

Medium

oil on canvas

Measurements

H 164.5 x W 203.8 cm

Accession number

PC.43

Acquisition method

Stirling Maxwell Collection, gift, 1967

Work type

Painting

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Normally on display at

Pollok House

Pollok Country Park, 2060 Pollokshaws Road, Glasgow G43 1AT Scotland

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