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One of many adoptions of the risqué nude genre scene originated by Watteau (cf. Watteau P439), this picture is rather hard in its technique and may not actually be by Pater. Louis Surugue engraved the composition in reverse in 1744, with a suitably tongue-in-cheek verse by Moraine:
'On leaving this bath, whose charming freshness
Has calmed the fires of Cupid
Philis we know that whatever your delay
The little God has taken refuge in your eyes.'
A pendant composition, 'The Desire to Please', showing a lady at her dressing table surrounded by her maids (version, Paris, Louvre), was engraved the previous year by Surrugue. The interior and dressing table details suggest that both works were painted somewhat earlier, in the 1730s.

The Wallace Collection

London

Title

The Bath (Le plaisir de l'été)

Date

1730s

Medium

oil on canvas

Measurements

H 45.6 x W 35.8 cm

Accession number

P472

Acquisition method

acquired by Richard Seymour-Conway, 4th Marquess of Hertford, 1852; bequeathed to the nation by Lady Wallace, 1897

Work type

Painting

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The Wallace Collection

Hertford House, Manchester Square, London, Greater London W1U 3BN England

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