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Notes
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A sketch showing a seascape in the moonlight, with part of the barque, 'Suzanne', included on the left. The unusual rendering of the sails, ropes and side of the ship reduced to simple shapes enhances the dramatic effect. The sails are shown as a dark block of grey to contrast with the turquoise of the ship's side and the light grey sky. This reduction of form highlights the relationship between artist, ship, sea and moon. The artist has used unconventional colours to achieve the effect, applying lilac, purple and pink to show the clouds and the sea with thicker paint creating the lighter reflections of the moon on the water. Intent upon capturing the relationship and fleeting nature of light and the movement of waves in an ever-changing sea, Everett produced hundreds of similar rapid seascapes. They were done on the spot and sometimes painted in quick succession.
Between November 1928 and January 1929 Everett sailed in the 'Suzanne' from Calais to Pointe-A-Pitre, Guadaloupe. While at Le Havre, Everett heard that the Danish barque was in Calais loading for Martinique and he decided to join her because he wanted another journey under sail. He praised the seamanship on board and said everything was done under sail. Once in Jamaica it took six weeks to unload, and he continued his journey on board SS 'Changuinola', owned by Elder and Fife. On his second journey in the 'Suzanne' in 1930, he sailed from Le Havre to Black River, Jamaica, in November, arriving at Black River on 16 December. This was the last voyage Everett ever made in sailing ships. The painting is inscribed 'Suz' verso.
Title
Seascape from the 'Suzanne'
Date
1928–1930
Medium
oil on paper
Measurements
H 25.3 x W 35.5 cm
Accession number
BHC0011
Work type
Painting