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William Battine (1765–1836), FRS 1803 Thomas Phillips (1770–1845)William Battine (1765–1836), FRS 1803 National Trust, Uppark
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View towards Capo Miseno and Procida c.1740/1755 Tommaso Ruiz (active c.1710–c.1760)View towards Capo Miseno and Procida c.1740/1755 National Trust, Uppark
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View of Harting 1834 Joseph Francis Gilbert (1792–1855)View of Harting 1834 National Trust, Uppark
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Uppark from the South West: Late Summer, before the Fire 1989 Luke Elwes (b.1961)Uppark from the South West: Late Summer, before the Fire 1989 National Trust, Uppark
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Two Hunters: 'Prophet' and 'Surprise' John Boultbee (1753–1812)Two Hunters: 'Prophet' and 'Surprise' National Trust, Uppark
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The Reverend Utrick Fetherstonhaugh (1717/1718–1788), as Apollo 1751 Pompeo Batoni (1708–1787)The Reverend Utrick Fetherstonhaugh (1717/1718–1788), as Apollo 1751 National Trust, Uppark
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The Parable of the Prodigal Son: The Penitent Swineherd early 1680s Luca Giordano (1634–1705)The Parable of the Prodigal Son: The Penitent Swineherd early 1680s National Trust, Uppark
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The Parable of the Prodigal Son: The Fatted Calf early 1680s Luca Giordano (1634–1705)The Parable of the Prodigal Son: The Fatted Calf early 1680s National Trust, Uppark
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The Parable of the Prodigal Son: Riotous Living early 1680s Luca Giordano (1634–1705)The Parable of the Prodigal Son: Riotous Living early 1680s National Trust, Uppark
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The Parable of the Prodigal Son: Receiving his Portion early 1680s Luca Giordano (1634–1705)The Parable of the Prodigal Son: Receiving his Portion early 1680s National Trust, Uppark
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The Parable of the Prodigal Son: Received Home by His Father early 1680s Luca Giordano (1634–1705)The Parable of the Prodigal Son: Received Home by His Father early 1680s National Trust, Uppark
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The Parable of the Prodigal Son: Driven out by His Former Companions early 1680s Luca Giordano (1634–1705)The Parable of the Prodigal Son: Driven out by His Former Companions early 1680s National Trust, Uppark
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The Grand Canal with the Rialto and the Palazzo Vendramin-Calergi, Venice 1751/1753 Canaletto (1697–1768) (studio of)The Grand Canal with the Rialto and the Palazzo Vendramin-Calergi, Venice 1751/1753 National Trust, Uppark
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The Entrance to the Grand Canal, Venice 1751/1753 Canaletto (1697–1768) (studio of)The Entrance to the Grand Canal, Venice 1751/1753 National Trust, Uppark
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The Entrance to the Cannaregio, Venice 1751/1753 Canaletto (1697–1768) (studio of)The Entrance to the Cannaregio, Venice 1751/1753 National Trust, Uppark
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The Bay of Naples, with the Chiaia, Seen from Posillipo c.1740/1755 Tommaso Ruiz (active c.1710–c.1760)The Bay of Naples, with the Chiaia, Seen from Posillipo c.1740/1755 National Trust, Uppark
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The Bay of Naples near the Slopes of Vesuvius with the Sorrentine Peninsula in the Distance c.1740/1755 Tommaso Ruiz (active c.1710–c.1760)The Bay of Naples near the Slopes of Vesuvius with the Sorrentine Peninsula in the Distance c.1740/1755 National Trust, Uppark
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The Bay of Naples Looking towards Posillipo c.1740/1755 Tommaso Ruiz (active c.1710–c.1760)The Bay of Naples Looking towards Posillipo c.1740/1755 National Trust, Uppark
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The Agony in the Garden Giuseppe Cesari (1568–1640) (after)The Agony in the Garden National Trust, Uppark
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Storm – Midday 1751 Charles François Lacroix (c.1700–1782)Storm – Midday 1751 National Trust, Uppark