- Artist: Whistler, James Abbott McNeill, 1834–1903 Remove
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James Abbott McNeill Whistler
1834–1903
(b Lowell, Mass., 11 July 1834; d London, 17 July 1903). American painter, printmaker, and designer, active mainly in England. Initially he was called James Abbott Whistler, but after his mother's death in 1881 he added her maiden name to become James Abbott McNeill Whistler for a time, and eventually he dropped the ‘Abbott’.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Harmony in White and Blue 1860s James Abbott McNeill Whistler (1834–1903)Harmony in White and Blue 1860s Leeds Art Gallery, Leeds Museums and Galleries -
Nocturne: Grey and Gold, Westminster Bridge c.1871–1872 James Abbott McNeill Whistler (1834–1903)Nocturne: Grey and Gold, Westminster Bridge c.1871–1872 The Burrell Collection -
Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle 1872–1873 James Abbott McNeill Whistler (1834–1903)Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle 1872–1873 Kelvingrove Art Gallery and Museum -
Portrait of a Man in Evening Dress mid-1880s James Abbott McNeill Whistler (1834–1903)Portrait of a Man in Evening Dress mid-1880s The Ashmolean Museum of Art and Archaeology -
The Shore, Pourville 1899 James Abbott McNeill Whistler (1834–1903)The Shore, Pourville 1899 The Ashmolean Museum of Art and Archaeology -
Venus 1859 James Abbott McNeill Whistler (1834–1903)Venus 1859 Rye Art Gallery -
An Arrangement in Grey and Green: John James Cowan (1846–1936) c.1893 James Abbott McNeill Whistler (1834–1903)An Arrangement in Grey and Green: John James Cowan (1846–1936) c.1893 National Galleries of Scotland, Scottish National Gallery -
La vielle aux loques (Old Woman Sorting Rags) 1858 James Abbott McNeill Whistler (1834–1903)La vielle aux loques (Old Woman Sorting Rags) 1858 Rye Art Gallery -
Blue and Gold – A Sketch of a Screen (?) 1871–1872 James Abbott McNeill Whistler (1834–1903)Blue and Gold – A Sketch of a Screen (?) 1871–1872 The Fitzwilliam Museum -
Study of a Standing Woman, Seen from Behind 1870–1873 James Abbott McNeill Whistler (1834–1903)Study of a Standing Woman, Seen from Behind 1870–1873 The Fitzwilliam Museum -
Symphony in White, No. 2: The Little White Girl 1864 James Abbott McNeill Whistler (1834–1903)Symphony in White, No. 2: The Little White Girl 1864 Tate Britain -
The Seamstress late 19th C James Abbott McNeill Whistler (1834–1903) and Walter Greaves (1846–1930)The Seamstress late 19th C National Museum Wales, National Museum Cardiff
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Nocturne: Blue and Gold - Old Battersea Bridge c.1872–5 James Abbott McNeill Whistler (1834–1903)Nocturne: Blue and Gold - Old Battersea Bridge c.1872–5 Tate -
Nocturne: Black and Gold - The Fire Wheel 1875 James Abbott McNeill Whistler (1834–1903)Nocturne: Black and Gold - The Fire Wheel 1875 Tate
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Study for a Portrait of Miss Cicely Alexander c.1873 James Abbott McNeill Whistler (1834–1903)Study for a Portrait of Miss Cicely Alexander c.1873 The Fitzwilliam Museum -
Seated Lady, Reading 1871–1873 James Abbott McNeill Whistler (1834–1903)Seated Lady, Reading 1871–1873 The Fitzwilliam Museum -
Studies of Rosettes 1871–1874 James Abbott McNeill Whistler (1834–1903)Studies of Rosettes 1871–1874 The Fitzwilliam Museum -
Study for 'Harmony in Grey and Peach Colour' c.1873 James Abbott McNeill Whistler (1834–1903)Study for 'Harmony in Grey and Peach Colour' c.1873 Manchester Art Gallery -
Symphony in White, No. III 1865–1867 James Abbott McNeill Whistler (1834–1903)Symphony in White, No. III 1865–1867 The Barber Institute of Fine Arts
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Elinor Leyland (1861–1952) c.1873 James Abbott McNeill Whistler (1834–1903)Elinor Leyland (1861–1952) c.1873 The Courtauld, London (Samuel Courtauld Trust)
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