- Artist: van Veen, Otto, 1556–1629 Remove
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Otto van Veen
1556–1629
(b Leiden, c.1556; d Brussels, 6 May 1629). Flemish painter. From c.1575 to c.1580 he was in Italy, where he is said to have been a pupil of Federico Zuccaro, and after working in various places in Germany and Flanders he settled in Antwerp in about 1592.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Christ in the House of Mary and Martha Otto van Veen (1556–1629)Christ in the House of Mary and Martha Calderdale Metropolitan Borough Council
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On the Disposal of Wealth: Illustration to Horace, Carmina III, xxiv, 40–45 Otto van Veen (1556–1629)On the Disposal of Wealth: Illustration to Horace, Carmina III, xxiv, 40–45 The Fitzwilliam Museum
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The Ordeal of the Vestal Virgin Tucchia Otto van Veen (1556–1629)The Ordeal of the Vestal Virgin Tucchia The Schorr Collection
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The Dead Christ Supported by Angels Otto van Veen (1556–1629)The Dead Christ Supported by Angels National Galleries of Scotland: National
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Putti Enacting a Bacchanalian Scene Otto van Veen (1556–1629)Putti Enacting a Bacchanalian Scene National Trust, Ham House
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Venus and Cupid surrounded by gods 1585 - 1634 Pieter de Jode I (1573–1634) and Otto van Veen (1556–1629)Venus and Cupid surrounded by gods 1585 - 1634 Ashmolean Museum, Oxford -
Portrait of Louis Dorléans 1602 Otto van Veen (1556–1629)Portrait of Louis Dorléans 1602 Ashmolean Museum, Oxford
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Portrait of A. Farnese 17th - 1st half of the 19th century (1601 - 1850) Otto van Veen (1556–1629)Portrait of A. Farnese 17th - 1st half of the 19th century (1601 - 1850) Ashmolean Museum, Oxford
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A Christian Allegory with Amor and Anima 1610–1615 Otto van Veen (1556–1629)A Christian Allegory with Amor and Anima 1610–1615 Ashmolean Museum, Oxford
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Mythological Subject 1600–1620 Otto van Veen (1556–1629)Mythological Subject 1600–1620 Ashmolean Museum, Oxford
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The Holy Family 1571–1629 Otto van Veen (1556–1629)The Holy Family 1571–1629 Ashmolean Museum, Oxford
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The Holy Family with John the Baptist, in an oval 1580–1607 Otto van Veen (1556–1629)The Holy Family with John the Baptist, in an oval 1580–1607 The Fitzwilliam Museum
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Portrait of Albert VII 1575 - 1618 Otto van Veen (1556–1629) and Adriaen Collaert (c.1560–1618)Portrait of Albert VII 1575 - 1618 Ashmolean Museum, Oxford
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The entombment (Matthew 27:59) 1570 - 1619 Otto van Veen (1556–1629)The entombment (Matthew 27:59) 1570 - 1619 Ashmolean Museum, Oxford
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print 1607 - 1733 Otto van Veen (1556–1629)print 1607 - 1733 Ashmolean Museum, Oxford
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Allegory of Charity 1632 Cornelis Cornelisz. van Haarlem (1562–1638) and Otto van Veen (1556–1629)Allegory of Charity 1632 Ashmolean Museum, Oxford
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Angel lamenting the dead body of Christ 1570 - 1619 Otto van Veen (1556–1629)Angel lamenting the dead body of Christ 1570 - 1619 Ashmolean Museum, Oxford
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Emblem: 'he who wanders must leave' 1612 - 1684 Otto van Veen (1556–1629)Emblem: 'he who wanders must leave' 1612 - 1684 Ashmolean Museum, Oxford
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A Christian Allegory with Amor and Anima 1610–1615 Otto van Veen (1556–1629)A Christian Allegory with Amor and Anima 1610–1615 Ashmolean Museum, Oxford
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A man holding a club, taking a crown handed to him by a young man in a feather headdress, crowned by Athena, while stepping on three putti,... 1641 - 1644 Wenceslaus Hollar (1607–1677) and Otto van Veen (1556–1629)A man holding a club, taking a crown handed to him by a young man in a feather headdress, crowned by Athena, while stepping on three putti, the one at the front reaching for a crown 1641 - 1644 Ashmolean Museum, Oxford
