- Artist: Gillray, James, 1756–1815 Remove
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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Sir Richard Worse-than-sly, Exposing his Wife's Bottom – O Fye! 1782 James Gillray (1756–1815)Sir Richard Worse-than-sly, Exposing his Wife's Bottom – O Fye! 1782 National Portrait Gallery, London
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Sir Richard Worse-than-sly, Exposing his Wife's Bottom – O Fye! 1782 James Gillray (1756–1815)Sir Richard Worse-than-sly, Exposing his Wife's Bottom – O Fye! 1782 National Portrait Gallery, London
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A Scene on Tuesday the 26th of May between a Prince and a Poltron 1789 James Gillray (1756–1815)A Scene on Tuesday the 26th of May between a Prince and a Poltron 1789 National Portrait Gallery, London
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A Voluptuary under the Horrors of Digestion (George IV) 1792 James Gillray (1756–1815)A Voluptuary under the Horrors of Digestion (George IV) 1792 National Portrait Gallery, London
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French Liberty, British Slavery 1792 James Gillray (1756–1815)French Liberty, British Slavery 1792 National Portrait Gallery, London
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Fashionable Contrasts, or 'The Duchess's Little Shoe Yeilding to the Magnitude of the Duke's Foot' 1792 James Gillray (1756–1815)Fashionable Contrasts, or 'The Duchess's Little Shoe Yeilding to the Magnitude of the Duke's Foot' 1792 National Portrait Gallery, London
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George III – The French Invasion, or John Bull, Bombarding the Bum-Boats 1793 James Gillray (1756–1815)George III – The French Invasion, or John Bull, Bombarding the Bum-Boats 1793 National Portrait Gallery, London
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Presages of the Millenium 1795 James Gillray (1756–1815)Presages of the Millenium 1795 National Portrait Gallery, London
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Patriotic Regeneration – Parliament Reform'd, a la François, that is, Honest Men (i.e. Opposition) in the Seat of Justice 1795 James Gillray (1756–1815)Patriotic Regeneration – Parliament Reform'd, a la François, that is, Honest Men (i.e. Opposition) in the Seat of Justice 1795 National Portrait Gallery, London
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The Caneing in Conduit Street 1796 James Gillray (1756–1815)The Caneing in Conduit Street 1796 National Portrait Gallery, London
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New Morality, or The Promis'd Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and his Suite 1798 James Gillray (1756–1815)New Morality, or The Promis'd Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and his Suite 1798 National Portrait Gallery, London
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Napoléon Bonaparte (Buonaparté Leaving Egypt) 1800 James Gillray (1756–1815)Napoléon Bonaparte (Buonaparté Leaving Egypt) 1800 National Portrait Gallery, London
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Design for the Naval Pillar 1800 James Gillray (1756–1815)Design for the Naval Pillar 1800 The Reiff Collection
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Scientific Researches! – New Discoveries in Pneumaticks! – or – An Experimental Lecture on the Powers of Air 1802 James Gillray (1756–1815)Scientific Researches! – New Discoveries in Pneumaticks! – or – An Experimental Lecture on the Powers of Air 1802 National Portrait Gallery, London
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Advantages of Wearing Muslin Dresses! 1802–1815 James Gillray (1756–1815)Advantages of Wearing Muslin Dresses! 1802–1815 Royal Holloway, University of London
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The King of Brobdingnag and Gulliver 1803 James Gillray (1756–1815)The King of Brobdingnag and Gulliver 1803 National Portrait Gallery, London
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The King of Brobdingnag and Gulliver 1804 James Gillray (1756–1815)The King of Brobdingnag and Gulliver 1804 National Portrait Gallery, London
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Harmony before Matrimony 1805 James Gillray (1756–1815)Harmony before Matrimony 1805 National Portrait Gallery, London
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The Plumb-Pudding in Danger – or – State Epicures Taking un Petit Souper 1805 James Gillray (1756–1815)The Plumb-Pudding in Danger – or – State Epicures Taking un Petit Souper 1805 National Portrait Gallery, London
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Ci-devant Occupations – or – Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797 – A Fact! 1805 James Gillray (1756–1815)Ci-devant Occupations – or – Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797 – A Fact! 1805 Royal Holloway, University of London