- Artist: Fuseli, Henry, 1741–1825 Remove
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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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The Mandrake: A Charm 1756–1785 Henry Fuseli (1741–1825)The Mandrake: A Charm 1756–1785 Yale Center for British Art
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Courtship late 18th C Henry Fuseli (1741–1825) (follower of)Courtship late 18th C Victoria and Albert Museum
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Man with Two Dead Women 1772 Henry Fuseli (1741–1825)Man with Two Dead Women 1772 Harris Museum & Art Gallery
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The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy... c.1780 Henry Fuseli (1741–1825)The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy Land) c.1780 Sir John Soane’s Museum
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'Macbeth', Act I, Scene 3, the Weird Sisters c.1783 Henry Fuseli (1741–1825)'Macbeth', Act I, Scene 3, the Weird Sisters c.1783 Royal Shakespeare Theatre
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'Henry V', Act II, Scene 2, Henry V Discovering the Conspirators 1780s Henry Fuseli (1741–1825)'Henry V', Act II, Scene 2, Henry V Discovering the Conspirators 1780s Royal Shakespeare Theatre
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Dido 1781 Henry Fuseli (1741–1825)Dido 1781 Yale Center for British Art
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Percival Delivering Belisane from the Enchantment of Urma exhibited 1783 Henry Fuseli (1741–1825)Percival Delivering Belisane from the Enchantment of Urma exhibited 1783 Tate
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The Death of Oedipus 1783–1784 Henry Fuseli (1741–1825)The Death of Oedipus 1783–1784 Walker Art Gallery
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Dispute between Hotspur, Glendower, Mortimer and Worcester 1784 Henry Fuseli (1741–1825)Dispute between Hotspur, Glendower, Mortimer and Worcester 1784 Birmingham Museums Trust
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A Shakespearean Subject 1785/1786 Henry Fuseli (1741–1825)A Shakespearean Subject 1785/1786 National Trust, Hinton Ampner
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Mistress Page in 'The Merry Wives of Windsor' by William Shakespeare c.1790–1795 Henry Fuseli (1741–1825) (attributed to)Mistress Page in 'The Merry Wives of Windsor' by William Shakespeare c.1790–1795 The Stanley & Audrey Burton Gallery, University of Leeds
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Sketch of a Nude Male Figure in the Pose of the Dioscuri c.1790 Henry Fuseli (1741–1825)Sketch of a Nude Male Figure in the Pose of the Dioscuri c.1790 Royal Academy of Arts
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Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione (William Shakespeare's 'The Winter's Tale') 1785/1786 Henry Fuseli (1741–1825)Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione (William Shakespeare's 'The Winter's Tale') 1785/1786 National Trust, Hinton Ampner
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Titania and Bottom c.1790 Henry Fuseli (1741–1825)Titania and Bottom c.1790 Tate
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Prospero 1789 Henry Fuseli (1741–1825)Prospero 1789 York Art Gallery
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Thor Battering the Midgard Serpent 1790 Henry Fuseli (1741–1825)Thor Battering the Midgard Serpent 1790 Royal Academy of Arts
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Female Figure Seen from the Rear c.1796 Henry Fuseli (1741–1825)Female Figure Seen from the Rear c.1796 The Courtauld, London (Samuel Courtauld Trust)
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Woman at a Spinet c.1796 Henry Fuseli (1741–1825)Woman at a Spinet c.1796 The Courtauld, London (Samuel Courtauld Trust)
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The Apothesis of Penelope Boothby 1792–1794 Henry Fuseli (1741–1825)The Apothesis of Penelope Boothby 1792–1794 Wolverhampton Art Gallery
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Christ Disappearing at Emmaus 1792 Henry Fuseli (1741–1825)Christ Disappearing at Emmaus 1792 Yale Center for British Art
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Macbeth, Banquo and the Witches 1793–1794 Henry Fuseli (1741–1825)Macbeth, Banquo and the Witches 1793–1794 National Trust, Petworth House
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The Shepherd's Dream, from 'Paradise Lost' 1793 Henry Fuseli (1741–1825)The Shepherd's Dream, from 'Paradise Lost' 1793 Tate
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Teiresias Foretells the Future to Odysseus c.1800 Henry Fuseli (1741–1825)Teiresias Foretells the Future to Odysseus c.1800 National Museum Cardiff
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The Fire King c.1801–1810 Henry Fuseli (1741–1825)The Fire King c.1801–1810 Victoria and Albert Museum
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The Return of Milton's Wife 1798–1799 Henry Fuseli (1741–1825)The Return of Milton's Wife 1798–1799 Walker Art Gallery
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Milton When a Boy Instructed by His Mother 1799–1800 Henry Fuseli (1741–1825)Milton When a Boy Instructed by His Mother 1799–1800 Walker Art Gallery
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Tekemessa and Eurysakes 1800–1810 Henry Fuseli (1741–1825)Tekemessa and Eurysakes 1800–1810 Yale Center for British Art
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The Infant Shakespeare between Tragedy and Comedy 1805 Henry Fuseli (1741–1825)The Infant Shakespeare between Tragedy and Comedy 1805 King's College London
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A Scene from 'The Wife of Bath's Tale' c.1812 Henry Fuseli (1741–1825)A Scene from 'The Wife of Bath's Tale' c.1812 National Trust, Petworth House
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Lady Macbeth Seizing the Daggers ?exhibited 1812 Henry Fuseli (1741–1825)Lady Macbeth Seizing the Daggers ?exhibited 1812 Tate Britain
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Lavinia de Irujo in Profile, Facing Right 1814 Henry Fuseli (1741–1825)Lavinia de Irujo in Profile, Facing Right 1814 The Courtauld, London (Samuel Courtauld Trust)
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Titania's Dream possibly 1822 Henry Fuseli (1741–1825)Titania's Dream possibly 1822 The Courtauld, London (Samuel Courtauld Trust)
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The Dream of Queen Katherine Henry Fuseli (1741–1825)The Dream of Queen Katherine Victoria and Albert Museum
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The Vision of Catherine of Aragon Henry Fuseli (1741–1825)The Vision of Catherine of Aragon Fylde Council Town Hall
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Albemarle Street, London Henry Fuseli (1741–1825) (attributed to)Albemarle Street, London Sheffield Museums
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The Dream of Queen Katherine Henry Fuseli (1741–1825)The Dream of Queen Katherine Victoria and Albert Museum
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Man Attacking a Dragon Henry Fuseli (1741–1825) (attributed to)Man Attacking a Dragon Harris Museum & Art Gallery
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Group of Five Women Mocking an Effaced Figure (Falstaff in the Laundry Basket Mocked by Women?) Henry Fuseli (1741–1825)Group of Five Women Mocking an Effaced Figure (Falstaff in the Laundry Basket Mocked by Women?) National Trust, Petworth House
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The Dream of Queen Katherine Henry Fuseli (1741–1825)The Dream of Queen Katherine Victoria and Albert Museum