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Antonio Canova
1757–1822
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Napoleon Bonaparte (1769–1821) 1802–1810 Antonio Canova (1757–1822)Napoleon Bonaparte (1769–1821) 1802–1810 English Heritage, The Wellington Collection, Apsley House
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Head of a Dancer c.1817 Antonio Canova (1757–1822)Head of a Dancer c.1817 English Heritage, The Wellington Collection, Apsley House
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Emperor Napoleon I (1769–1821) Antonio Canova (1757–1822)Emperor Napoleon I (1769–1821) Defence Academy of the United Kingdom
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Napoleonic Urns 1874 Antonio Canova (1757–1822)Napoleonic Urns 1874 Royal Avenue, Bath, Somerset
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A Bozzetto: Standing Figure of 'Pax' c.1810–1812 Antonio Canova (1757–1822)A Bozzetto: Standing Figure of 'Pax' c.1810–1812 National Galleries of Scotland: National
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Venus (The Hope Venus) 1817–1820 Antonio Canova (1757–1822)Venus (The Hope Venus) 1817–1820 Leeds Art Gallery, Leeds Museums and Galleries
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A Bozzetto: Maria Luisa as 'Concordia' c.1810–1812 Antonio Canova (1757–1822)A Bozzetto: Maria Luisa as 'Concordia' c.1810–1812 National Galleries of Scotland: National
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Portrait of a Lady, called ‘Zingarella’ 1790 to 1835 Antonio Canova (1757–1822)Portrait of a Lady, called ‘Zingarella’ 1790 to 1835 Royal Albert Memorial Museum & Art Gallery
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The Three Graces (Aglaia, Euphrosyne and Thalia) 1815–1817 Antonio Canova (1757–1822)The Three Graces (Aglaia, Euphrosyne and Thalia) 1815–1817 National Galleries of Scotland: National
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Bust portrait of Caroline Bonaparte 17th - 1st half of the 19th century (1601 - 1850) Henry Moses (1781–1870) and Antonio Canova (1757–1822)Bust portrait of Caroline Bonaparte 17th - 1st half of the 19th century (1601 - 1850) Ashmolean Museum, Oxford
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Hebe Antonio Canova (1757–1822)Hebe The Fitzwilliam Museum
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Monument to the Stuart Princes in St Peter's Basilica 1st half of the 19th century Henry Moses (1781–1870) and Antonio Canova (1757–1822)Monument to the Stuart Princes in St Peter's Basilica 1st half of the 19th century Ashmolean Museum, Oxford
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Melpomene mid–19th C Antonio Canova (1757–1822)Melpomene mid–19th C Ashmolean Museum, Oxford
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The Horse Tamers on the Quirinal, Rome 1805 Antonio Canova (1757–1822)The Horse Tamers on the Quirinal, Rome 1805 Ashmolean Museum, Oxford
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Bust portrait of Maria Elisa Buonaparte 17th - 1st half of the 19th century (1601 - 1850) Henry Moses (1781–1870) and Antonio Canova (1757–1822)Bust portrait of Maria Elisa Buonaparte 17th - 1st half of the 19th century (1601 - 1850) Ashmolean Museum, Oxford
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Water Nymph* 1775–1800 Antonio Canova (1757–1822)Water Nymph* 1775–1800 National Museum of Scotland
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Portrait of Charles III, King of Naples 17th - 1st half of the 19th century (1601 - 1850) Henry Moses (1781–1870) and Antonio Canova (1757–1822)Portrait of Charles III, King of Naples 17th - 1st half of the 19th century (1601 - 1850) Ashmolean Museum, Oxford
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Dancer with a finger on her chin 19th C Antonio Canova (1757–1822)Dancer with a finger on her chin 19th C Ashmolean Museum, Oxford
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Portrait of Pius VII 17th - 1st half of the 19th century (1601 - 1850) Antonio Canova (1757–1822)Portrait of Pius VII 17th - 1st half of the 19th century (1601 - 1850) Ashmolean Museum, Oxford
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Hebe Antonio Canova (1757–1822)Hebe The Fitzwilliam Museum