- Artist: Bernini, Gian Lorenzo, 1598–1680 Remove
- Save search
Gian Lorenzo Bernini
1598–1680
(b Naples, 7 Dec. 1598; d Rome, 28 Nov. 1680). Italian sculptor, architect, painter, draughtsman, and designer, the supreme artist of the Italian Baroque. His father, Pietro (1562–1629), was a Mannerist sculptor of some distinction, active in Naples and then from c.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
-
Nicolas Poussin (1594–1665) 1628–1629 Gian Lorenzo Bernini (1598–1680)Nicolas Poussin (1594–1665) 1628–1629 York Art Gallery
-
Louvre, East Façade 1664 Gian Lorenzo Bernini (1598–1680)Louvre, East Façade 1664 The Courtauld, London (Samuel Courtauld Trust)
-
Monsignor Carlo Antonio dal Pozzo (1547–1607), Archbishop of Pisa 1620 Gian Lorenzo Bernini (1598–1680)Monsignor Carlo Antonio dal Pozzo (1547–1607), Archbishop of Pisa 1620 National Galleries of Scotland: National
-
Detail of the tomb of Cardinal Domenico Pimentel (c. 1653) in Santa Maria sopra Minerva, Rome, after Bernini 1770 - 1771 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)Detail of the tomb of Cardinal Domenico Pimentel (c. 1653) in Santa Maria sopra Minerva, Rome, after Bernini 1770 - 1771 Ashmolean Museum, Oxford -
Recto: View of the Ponte Rotto, Rome Verso: Two studies of Bernini's Fountain of the Four Rivers in Piazza Navona, Rome 1710 - 1754 Gian Lorenzo Bernini (1598–1680)Recto: View of the Ponte Rotto, Rome Verso: Two studies of Bernini's Fountain of the Four Rivers in Piazza Navona, Rome 1710 - 1754 Ashmolean Museum, Oxford
-
The Abduction of Proserpine 1730 - 1760 François Girardon (1628–1715) and Gian Lorenzo Bernini (1598–1680)The Abduction of Proserpine 1730 - 1760 Ashmolean Museum, Oxford
-
Portrait of a man with a moustache 1630 - 1660 Gian Lorenzo Bernini (1598–1680)Portrait of a man with a moustache 1630 - 1660 Ashmolean Museum, Oxford
-
Constantine the Great beholding the sign of the Cross, before the Battle of the Milvian Bridge late 17th - early 18th century (1671 - 1730) Gian Lorenzo Bernini (1598–1680)Constantine the Great beholding the sign of the Cross, before the Battle of the Milvian Bridge late 17th - early 18th century (1671 - 1730) Ashmolean Museum, Oxford
-
Portrait of a man 1635 - 1640 Gian Lorenzo Bernini (1598–1680)Portrait of a man 1635 - 1640 Ashmolean Museum, Oxford
-
The head of the David in Villa Borghese, Rome, after Gian Lorenzo Bernini 1765 - 1767 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)The head of the David in Villa Borghese, Rome, after Gian Lorenzo Bernini 1765 - 1767 Ashmolean Museum, Oxford
-
Recto: Design of the arms of Pope Alexander VII, Fabio Chigi Verso: Geometrical figure with measurements in Roman palms 1700 - 1754 Gian Lorenzo Bernini (1598–1680)Recto: Design of the arms of Pope Alexander VII, Fabio Chigi Verso: Geometrical figure with measurements in Roman palms 1700 - 1754 Ashmolean Museum, Oxford
-
Design of the arms of Pope Alexander VII, Fabio Chigi 1711 - 1736 Gian Lorenzo Bernini (1598–1680)Design of the arms of Pope Alexander VII, Fabio Chigi 1711 - 1736 Ashmolean Museum, Oxford
-
Design of the arms of Pope Urban VIII, Maffeo Barberini 1623 - 1754 Gian Lorenzo Bernini (1598–1680)Design of the arms of Pope Urban VIII, Maffeo Barberini 1623 - 1754 Ashmolean Museum, Oxford
-
Design of the arms of the Pamphilj family 1711 - 1736 Gian Lorenzo Bernini (1598–1680)Design of the arms of the Pamphilj family 1711 - 1736 Ashmolean Museum, Oxford
-
Self-portrait 1625 - 1635 Gian Lorenzo Bernini (1598–1680)Self-portrait 1625 - 1635 Ashmolean Museum, Oxford
-
The head of Abacuc from the marble group of Abacuc and the Angel, in the Chigi Chapel in Santa Maria del Popolo, Rome, after Bernini 1765 - 1767 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)The head of Abacuc from the marble group of Abacuc and the Angel, in the Chigi Chapel in Santa Maria del Popolo, Rome, after Bernini 1765 - 1767 Ashmolean Museum, Oxford
-
A detail of the mosaic pavement, showing Death, in the Chigi Chapel in Santa Maria del Popolo, Rome, after Bernini 1765 - 1767 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)A detail of the mosaic pavement, showing Death, in the Chigi Chapel in Santa Maria del Popolo, Rome, after Bernini 1765 - 1767 Ashmolean Museum, Oxford
-
Bust portrait of Louis XIV (1665) at the French Academy, after Gian Lorenzo Bernini 1765 - 1767 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)Bust portrait of Louis XIV (1665) at the French Academy, after Gian Lorenzo Bernini 1765 - 1767 Ashmolean Museum, Oxford
-
The skeleton in the tomb of Giovanni Battista Gisleni, in Santa Maria del Popolo, Rome, after Bernini 1765 - 1767 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)The skeleton in the tomb of Giovanni Battista Gisleni, in Santa Maria del Popolo, Rome, after Bernini 1765 - 1767 Ashmolean Museum, Oxford
-
A figure in the tomb of pope Alexander VII Chigi in the Basilica of St Peter Rome, after Bernini 1765 - 1767 Joseph Nollekens (1737–1823) and Gian Lorenzo Bernini (1598–1680)A figure in the tomb of pope Alexander VII Chigi in the Basilica of St Peter Rome, after Bernini 1765 - 1767 Ashmolean Museum, Oxford
