- Artist: Bellotto, Bernardo, 1722–1780 Remove
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Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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Venice 1700–1725 Bernardo Bellotto (1722–1780)Venice 1700–1725 English Heritage, Audley End House
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Capriccio with Two Bridges and Figures c.1740–1747 Bernardo Bellotto (1722–1780)Capriccio with Two Bridges and Figures c.1740–1747 Victoria and Albert Museum
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The Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome c.1742 Bernardo Bellotto (1722–1780)The Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome c.1742 National Trust, Petworth House
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The Tower of Malghera c.1743 Bernardo Bellotto (1722–1780)The Tower of Malghera c.1743 Bristol Museum & Art Gallery
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Standing Man, Viewed from the Front (recto) c.1743 Bernardo Bellotto (1722–1780) (attributed to)Standing Man, Viewed from the Front (recto) c.1743 The Courtauld, London (Samuel Courtauld Trust)
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Standing Man, Viewed from Behind (verso) c.1743 Bernardo Bellotto (1722–1780) (attributed to)Standing Man, Viewed from Behind (verso) c.1743 The Courtauld, London (Samuel Courtauld Trust)
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Capriccio: The Lagoon, Venice c.1743 Bernardo Bellotto (1722–1780)Capriccio: The Lagoon, Venice c.1743 Bristol Museum & Art Gallery
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A Caprice Landscape with Ruins 1740-1800 Bernardo Bellotto (1722–1780) (style of)A Caprice Landscape with Ruins 1740-1800 The National Gallery, London
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Venice: Upper Reaches of the Grand Canal facing Santa Croce perhaps 1740s Bernardo Bellotto (1722–1780)Venice: Upper Reaches of the Grand Canal facing Santa Croce perhaps 1740s The National Gallery, London
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The Arno in Florence with the Ponte Vecchio c.1745 Bernardo Bellotto (1722–1780)The Arno in Florence with the Ponte Vecchio c.1745 The Fitzwilliam Museum
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The Arno in Florence with the Ponte alla Carraia c.1745 Bernardo Bellotto (1722–1780)The Arno in Florence with the Ponte alla Carraia c.1745 The Fitzwilliam Museum
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View of Verona from the Ponte Nuovo 1745–1747 Bernardo Bellotto (1722–1780)View of Verona from the Ponte Nuovo 1745–1747 National Trust, Powis Castle
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Ruins and Figures, Outskirts of Rome near the Tomb of Cecilia Metella c.1750–1775 Bernardo Bellotto (1722–1780) (attributed to)Ruins and Figures, Outskirts of Rome near the Tomb of Cecilia Metella c.1750–1775 Shipley Art Gallery
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The Fortress of Konigstein: Courtyard with the Brunnenhaus c.1756–1758 Bernardo Bellotto (1722–1780)The Fortress of Konigstein: Courtyard with the Brunnenhaus c.1756–1758 Manchester Art Gallery
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The Fortress of Königstein from the North c.1756–1758 Bernardo Bellotto (1722–1780)The Fortress of Königstein from the North c.1756–1758 The National Gallery, London
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The Fortress of Konigstein: Courtyard with the Magdalenenburg 1756–1758 Bernardo Bellotto (1722–1780)The Fortress of Konigstein: Courtyard with the Magdalenenburg 1756–1758 Manchester Art Gallery
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The Neustädter Markt in Dresden Bernardo Bellotto (1722–1780) (after)The Neustädter Markt in Dresden Thirlestane Castle
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Entrance to the Grand Canal, Venice Bernardo Bellotto (1722–1780)Entrance to the Grand Canal, Venice The Fitzwilliam Museum
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The Altmark, Dresden, from Schlossstrasse Bernardo Bellotto (1722–1780) (after)The Altmark, Dresden, from Schlossstrasse Thirlestane Castle
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The Piazza San Martino, Lucca Bernardo Bellotto (1722–1780)The Piazza San Martino, Lucca York Art Gallery