- Artist: Ingres, Jean-Auguste-Dominique, 1780–1867 Remove
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Jean-Auguste-Dominique Ingres
1780–1867
(b Montauban, 29 Aug. 1780; d Paris, 14 Jan. 1867). French painter, the son of a minor painter and sculptor, Jean-Marie-Joseph Ingres (1755–1814). After early training in the Toulouse Academy he moved to Paris in 1797 to study in Jacques-Louis David's studio.
Text Source: The Oxford Dictionary of Art and Artists (Oxford University Press)
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A Sleeping Odalisque 1830s Jean-Auguste-Dominique Ingres (1780–1867)A Sleeping Odalisque 1830s Victoria and Albert Museum
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Henry IV, the Dauphin and the Spanish Ambassador c.1817 Jean-Auguste-Dominique Ingres (1780–1867)Henry IV, the Dauphin and the Spanish Ambassador c.1817 Victoria and Albert Museum
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Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome 1816 Jean-Auguste-Dominique Ingres (1780–1867)Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome 1816 The Fitzwilliam Museum
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Study for the Figure of Phidias in 'The Apotheosis of Homer' Jean-Auguste-Dominique Ingres (1780–1867)Study for the Figure of Phidias in 'The Apotheosis of Homer' The Fitzwilliam Museum
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'La Belle Ferronnière' c.1802–1806 Jean-Auguste-Dominique Ingres (1780–1867)'La Belle Ferronnière' c.1802–1806 The Barber Institute of Fine Arts
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Paolo and Francesca c.1814–c.1820 Jean-Auguste-Dominique Ingres (1780–1867)Paolo and Francesca c.1814–c.1820 The Barber Institute of Fine Arts
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A Nymph c.1802–1806 Jean-Auguste-Dominique Ingres (1780–1867)A Nymph c.1802–1806 The Fitzwilliam Museum
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A Nymph c.1802–1806 Jean-Auguste-Dominique Ingres (1780–1867)A Nymph c.1802–1806 The Fitzwilliam Museum
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Idealised Portrait of Benoît-Joseph Labre called Saint Labre 1815 Jean-Auguste-Dominique Ingres (1780–1867)Idealised Portrait of Benoît-Joseph Labre called Saint Labre 1815 The Schorr Collection
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Maréchale Kutuzov (1745–1813) 1815 Jean-Auguste-Dominique Ingres (1780–1867)Maréchale Kutuzov (1745–1813) 1815 The Fitzwilliam Museum
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Female nude standing sideways Alfred James Munnings (1878–1959) and Jean-Auguste-Dominique Ingres (1780–1867)Female nude standing sideways Norfolk Museums Service
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Le Duc d'Orléans 17th - 1st half of the 19th century (1601 - 1850) Jean-Auguste-Dominique Ingres (1780–1867)Le Duc d'Orléans 17th - 1st half of the 19th century (1601 - 1850) Ashmolean Museum, Oxford
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The Hon. Frederick Sylvester North Douglas 1815 Jean-Auguste-Dominique Ingres (1780–1867)The Hon. Frederick Sylvester North Douglas 1815 The Fitzwilliam Museum
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Oedipe 1867 - 1809 Jean-Auguste-Dominique Ingres (1780–1867)Oedipe 1867 - 1809 The Fitzwilliam Museum
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Recto: Three-quarter-length portrait of Jean-François-Antoine Forest (Verso: a mutilated lithograph of two ladies and three children in a... 1823 Jean-Auguste-Dominique Ingres (1780–1867)Recto: Three-quarter-length portrait of Jean-François-Antoine Forest (Verso: a mutilated lithograph of two ladies and three children in a carriage, by Ridolphi) 1823 Ashmolean Museum, Oxford
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Two drapery studies for figures walking to the left 1848 - 1852 Jean-Auguste-Dominique Ingres (1780–1867)Two drapery studies for figures walking to the left 1848 - 1852 Ashmolean Museum, Oxford
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Portrait of Sylvester (Douglas) Lord Glenbervie 1815 Charles Joseph Hullmandel (1789–1850) and Jean-Auguste-Dominique Ingres (1780–1867)Portrait of Sylvester (Douglas) Lord Glenbervie 1815 Ashmolean Museum, Oxford
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Gabriel Cortois de Pressigny 1816 Jean-Auguste-Dominique Ingres (1780–1867)Gabriel Cortois de Pressigny 1816 The Fitzwilliam Museum
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A drapery study for a figure reclining to right 1811 - 1815 Jean-Auguste-Dominique Ingres (1780–1867)A drapery study for a figure reclining to right 1811 - 1815 Ashmolean Museum, Oxford
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Recto: Half-length portrait of Ingres Verso: Head of the Virgin with hands raised in worship 1835 - 1850 Jean-Auguste-Dominique Ingres (1780–1867)Recto: Half-length portrait of Ingres Verso: Head of the Virgin with hands raised in worship 1835 - 1850 Ashmolean Museum, Oxford