Art UK has updated its cookies policy. By using this website you are agreeing to the use of cookies. To find out more read our updated Use of Cookies policy and our updated Privacy policy.


Photo credit: Amgueddfa Cymru – National Museum Wales

How you can use this image

© All rights reserved

Please note that image permissions vary across the Art UK website and that some artworks remain in copyright. Review the copyright credit lines that are located underneath the image. The credit lines indicate who manages the rights within the artwork and the image.

This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised.

Some images on Art UK are available to purchase as prints and may be available to license for commercial purposes through the Art UK Shop. If there is a shopping basket icon underneath an image, click on it to find out how to license that image or purchase a print, through either the Art UK Shop or sometimes through the collection directly.

The collection who own the work may have more information on their own website about permitted uses and image licensing options.

Buy a print or image licence

If you like this artwork you can support the collection by purchasing a reproduction as a framed OR unframed art print. We offer a selection of professionally made frames that will make your purchase look great in your home, office or other preferred setting.

Need a digital version for your site or publication? You can purchase a digital licence from Art UK and download an electronic copy of this reproduction.


Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

Born and trained in Frankfurt, Scholderer visited Paris in 1856–1857. In 1868 he returned and was included by his friend Fantin-Latour in a group portrait of Manet's disciples. The outbreak of the Franco-Prussian war in 1870 obliged him to move to London, where he regularly exhibited at the Royal Academy and was one of Sickert's first teachers. This painting of a dish of oysters, a cut lemon and a glass of Barsac reveals the influence of Manet's still lifes.

National Museum Wales, National Museum Cardiff




oil on canvas


H 25 x W 42 cm

Accession number

NMW A 2553

Acquisition method

transferred from Turner House, 1921

Work type


Inscription description

Frame: CHAPMAN BROS. Label: Carvers, Gilders & Frame Makers 251, Kings Road Label: (fragment) OTTO S... 154 STILL LIFE. Near... are some cut lem... Barsac. Inscribed: (in brown ink) Oysters by Otto Scholder.. 6 Bedford Gardens.. W. Stretcher: NMW 260 21.TH 4 40 1/2 23 1/2 etm cuftmays (?) [or Zuftmens ?] Signed and dated: (bottom right) O S. 91


You can help us tag artworks on Tagger. The tags above come from the public, and also from an image recognition project run by the Visual Geometry Group, University of Oxford.

National Museum Wales, National Museum Cardiff

Cathays Park, Cardiff (Caerdydd) CF10 3NP Wales

This venue is open to the public. Not all artworks are on display. If you want to see a particular artwork, please contact the venue.
View venue