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Nature and Her Followers

Photo credit: Glasgow Museums

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This painting is essentially a celebration of the fecundity of Nature. In the centre is a sculpted herm of a many-breasted goddess, based on the cult statue of Diana of Ephesus, from which the Renaissance personified Nature. The (partly-abraded and partly-concealed) inscription on the pedestal identifies her specifically as 'the Great Mother, Earth who bears everything'. The three nymphs (often, for no good reason, identified as the Graces), are removing her veil and twined-wool necklace, in readiness for their substitution as honorific emblems by floral crowns, a red backcloth, and the extraordinary garland of fruit and flowers, which is being attached to the flanking oak trees by satyrs and winged putti.

Kelvingrove Art Gallery and Museum


Date

c.1615

Medium

oil on panel

Measurements

H 106.7 x W 72.4 cm

Accession number

609

Acquisition method

bequeathed by Jane Graham-Gilbert, 1877

Work type

Painting


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Normally on display at

Kelvingrove Art Gallery and Museum

Argyle Street, Glasgow G3 8AG Scotland

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