How you can use this image
© All rights reserved
Please note that image permissions vary across the Art UK website and that some artworks remain in copyright. Review the copyright credit lines that are located underneath the image. The credit lines indicate who manages the rights within the artwork and the image.
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised.
Some images on Art UK are available to purchase as prints and may be available to license for commercial purposes through the Art UK Shop. If there is a shopping basket icon underneath an image, click on it to find out how to license that image or purchase a print, through either the Art UK Shop or sometimes through the collection directly.
The collection who own the work may have more information on their own website about permitted uses and image licensing options.
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
A refugee from Poland, Herman spent the decade 1944–1954 in Ystradgynlais where he painted his best-known works of mining themes. This is a study for his greatest painting, the monumental Miners, executed for the Pavilion of Minerals of the Island at the 1951 Festival of Britain. The artist began with the figure with an upraised arm at the left, only subsequently making narrative sense of its pose by incorporating it with a group of singers.
oil & crayon on board with plaster
H 43.5 x W 121.6 cm
NMW A 1674