How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Notes
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
This painting was the result of an interest in the relations between words and images, the Conceptual art of the 1960s and 1970s (with its stress on language), semiotics (the science of signs), diagrams and a critique of the formalist theory of art. In the mid-1970s John A. Walker produced a series of paintings focusing upon the colour orange. The first consisted of a square canvas divided into three horizontal bands. In the top band was the word 'orange' painted in white on a black ground; in the middle band was a flat expanse of cadmium orange taken straight from the tube; in the bottom band was the word 'orange' painted in orange pigment on a grey ground. (Some degree of optical flicker resulted from this contrast.) Scanning down, the viewer encountered the English name or concept for a familiar colour, then the percept or exemplification of that colour, and then, at the bottom, the unity of concept and percept.
Wolverhampton Art Gallery
Wolverhampton
Title
Marriage of the Verbal and the Visual
Date
1975
Medium
oil on canvas
Measurements
H 122 x W 122 cm
Accession number
OP919
Acquisition method
gift, 2002
Work type
Painting