Harrow Hill after Snow

© the estate of Keith Vaughan. All rights reserved, DACS 2024. Image credit: Yale Center for British Art

How you can use this image

This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).

Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.

The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.

Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.

Notes

Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

Keith Vaughan served in the Pioneer Corps during the Second World War along with fellow artist John Minton. The pair shared a studio after the war when they were both influenced by the neoromantic movement. In the 1950s, Vaughan discovered the work of Nicholas de Stael and explored a fusion of figurative and abstract art, which in the 1960s evolved into a series of ambitious landscape paintings. Harrow Hill refers not to the area in northwest London but to Vaughan’s cottage in Toppesfield, in rural Essex. The level of abstraction in this painting is high; nonetheless, the vertical blocks across the canvas may refer to the windows, doors, and sloping roofs of local farm buildings, surrounded by patches of snow. – Gallery label for installation of YCBA collection, 2020
Title

Harrow Hill after Snow

Date

1968

Medium

oil on canvas

Measurements

H 101.6 x W 91.4 cm

Accession number

B1998.17

Acquisition method

Paul Mellon Fund

Work type

Painting

Signature/marks description

dated, verso: 1968

Tags

This artwork does not have any tags yet. You can help by tagging artworks on Tagger.

Yale Center for British Art

1080 Chapel Street, New Haven, Connecticut 06510-2302, USA,

This venue is closed to the public.
View venue