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Born in Australia, E. A. Hornel immigrated to Kirkcudbright, Scotland, as a young boy. Although he attended art school in Edinburgh and completed his training in Antwerp, he eventually re-joined his parents in Kirkcudbright and became part of a constellation of artists working there during the 1880s and 1890s. The self-described 'Glasgow Boys' formed the loosely affiliated Glasgow School that took inspiration from James McNeill Whistler and collectively resisted the dominance of London and Edinburgh over the fin-de-siècle art scene. Hornel formed a particular friendship with George Henry, whose Blowing Dandelions is also in the collection and, like Flower Market, Nagasaki, reflects the group’s tendency to emphasize shape and colour over realism, in a manner sympathetic to impressionism and postimpressionism.

Title

Flower Market, Nagasaki

Date

1894

Medium

oil on linen mounted on mahogany panel

Measurements

H 45.7 x W 35.6 cm

Accession number

B1989.17.9

Acquisition method

gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz

Work type

Painting

Signature/marks description

signed and dated in black paint, lower left: E A Hornel | 94

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Yale Center for British Art

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