How you can use this image

This image has been made available under a Creative Commons Zero licence (CC0). This means it can be used in any way, for commercial or non-commercial purposes.

Please acknowledge the collection who own the work with a photo credit — this helps spread the word about their resources.

To learn more about image reuse and Creative Commons, please see our image use page.

Download

Notes

Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

For the romantic traveller, the key associations of Verona were literary. It was where Dante Alighieri lived in exile from Florence, and it provided the setting of plays by William Shakespeare, most famously the tragedy of Romeo and Juliet. Richard Parkes Bonington spent several days in the city in April 1826 as part of a trip to Venice and Florence, the only visit to Italy of his short life. Working in London two years later on the basis of sketches done on site, Bonington sought to capture the brilliant intensity of Italian light and colour and to enhance the picturesque nature of the view through the inclusion of a religious procession. This was probably the last painting Bonington completed before the onset of his final illness. It was in his studio at the time of his death.

Title

Corso Sant'Anastasia, Verona

Date

1828

Medium

oil on millboard

Measurements

H 65.1 x W 44.1 cm

Accession number

B1981.25.58

Acquisition method

Paul Mellon Collection

Work type

Painting

Tags

This artwork does not have any tags yet. You can help by tagging artworks on Tagger.

Yale Center for British Art

1080 Chapel Street, New Haven, Connecticut 06510-2302, USA,

This venue is closed to the public.
View venue