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Notes
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'Contrapuntal Forms' has been described as a 'monumental group of abstract sculpture symbolising the spirit of discovery'. The sculpture was commissioned by the Arts Council for the 1951 Festival of Britain on London's South Bank. It was hand-carved by Hepworth and stood high on a plinth between the Dome of Discovery and the Transport Pavilion. The sculpture was acquired by Harlow Development Corporation, along with three murals, when the artworks were distributed after the festival had ended. Hepworth was insistent that this work have a civic setting but agreed to it being temporarily placed in a completed environment. The novel concept of having sculpture in an urban landscape was taken up with the formation of Harlow Art Trust and the subsequent acquisition of Harlow’s sculpture collection.
BH 165 in the artist's catalogue raisonné.
During 2021–2022, the work was temporarily removed from its location to undergo restoration work and display at Hepworth Wakefield.
Title
Contrapuntal Forms
Medium
Irish Blue limestone
Measurements
H 305 x W 122 x D 91.5 cm
Accession number
CM20_TJ_S014
Acquisition method
commissioned by the Arts Council for the Festival of Britain South Bank, 1951
Work type
Sculpture
Owner
Harlow Art Trust
Custodian
Harlow Art Trust
Work status
extant
Listing status
Grade II* (England and Wales)
Unveiling date
1951
Listing date
15/04/98
Access
at all times
Glebelands, Harlow
CM20 2PE
Stories
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Barbara Hepworth: artist in society 1948–1953
Sophie Bowness
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Barbara Hepworth's 'Contrapuntal Forms': a utopian vision in Essex
Irena Posner and HENI Talks
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Barbara Hepworth: enduring expression through sculpture
Eleanor Clayton
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Sculpting Lives podcast: Barbara Hepworth
Jo Baring and Sarah Turner
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Art Matters podcast: Harlow, the Sculpture Town
Ferren Gipson
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