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This portrait of Charles William Lambton – aged six or seven – was commissioned by the boy’s father John George Lambton, 1st Earl of Durham, a Whig politician and MP for County Durham. Popularly known as The Red Boy, it remained in the Lambton family until it was acquired by the National Gallery in 2021. It is acknowledged as one of Thomas Lawrence’s masterpieces and, a sign of the image’s enduring popularity, it was the first painting to be reproduced on a British postage stamp in 1967. Sitting on a promontory overlooking a moonlit sea, Lawrence portrays Lambton as a child wanderer, lost in contemplation of the sublime power of nature. The flowers opening next to him symbolise his young age. He is at the beginning of his journey through life, though this was cut short – he died of tuberculosis aged only thirteen.
Unlike Gainsborough’s famous portrait, The Blue Boy (1770, The Huntington Art Museum, San Marino) who wears a seventeenth-century ‘Van Dyck’ costume, The Red Boy is dressed in the contemporary children’s fashion of loose-fitting clothes. Several of Lawrence’s young sitters wear these red velvet ‘skeleton suits’ which were roomier and better for playing outdoors and which, by 1800, had replaced Van Dyck dress for children of wealthy families.
Title
Charles William Lambton ('The Red Boy')
Date
1825
Medium
oil on canvas
Measurements
H 140.5 x W 110.6 cm
Accession number
NG6692
Acquisition method
Bought with the support of the American Friends of the National Gallery, the Estate of Miss Gillian Cleaver, Art Fund, The Al Thani Collection Foundation, The Manny and Brigitta Davidson Charitable Foundation and through private appeal, 2021
Work type
Painting