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This painting is called a 'capriccio’, an imaginary scene based on fact. It combines buildings found on the Venetian Lagoon and while the distant church suggests the Venice skyline, it is not an accurate depiction of Santa Maria della Salute. Bernardo Bellotto was the nephew of Giovanni Antonio Canal, commonly called Canaletto, and entered his uncle's studio at about the age of 15. Canaletto was probably at his busiest in the mid-1730s and the help of this talented young relation must have been welcome.
Bristol Museum & Art Gallery
oil on canvas
H 37.5 x W 62.2 cm
accepted by Her Majesty's Government in lieu of tax and presented, 1988